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Cited by

• 2001Music Lovers315 cited
• 2019Loving Music Till It Hurts145 cited
• 2021Empty Minds: Innovating Audience Participation in Symphonic Practice95 cited
• 2017Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class55 cited
• 2014Listening genres: The emergence of relevance structures through the reception of sound41 cited
• 2019Hegel's Aesthetics20 cited
• 2015Celebrity 2.0: The Case of Marina Abramović15 cited
• 2020Enthusiasm10 cited
• 2015Historically Informed Performance6 cited
• 2021Curriculum Philosophy and Theory for Music Education Praxis4 cited
• 2022Re-examining Salon Space: Structuring Audiences and Music at Parisian Receptions3 cited
• 1999What recitatives owe to the airs: a look at the dialogue scene, Act I scene 2 of Rameau's Hippolyte et Aricie – version with airs3 cited
• 2022Emotion and Performance Practices3 cited
• 1995Pachyderms and Prosceniums: Musico-Dramtic Tradition and Aesthetic Innovation During The French Revolution2 cited