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Musical meaning in Beethoven: markedness, correlation, and interpretation
0 references·16 citing·54 second hopsampled
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  • 2013Action and Agency Revisited235 cited
  • 2008Metaphor and music107 cited
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  • 2012M eyer's Anvil: Revisiting the Schema Concept83 cited
  • 2008Music as Discourse79 cited
  • 2013In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music69 cited
  • 2019Enacting Musical Time68 cited
  • 2002Form60 cited
  • 2012Emotions in Music56 cited
  • 2006The String Quartets of Joseph Haydn55 cited
  • 2000Performances in early Hollywood sound films: Source music, background music, and the integrated sound track39 cited
  • 2013Categorizations of physical gesture in piano teaching: A preliminary enquiry38 cited
  • 2007On Topics Today32 cited
  • 1999Bach and the Chaconne32 cited
  • 1998Not "Which" Tones? The Crux of Beethoven's Ninth30 cited
  • 2023On Figaro’s Alleged Minuet and Some Challenges and Opportunities of Topic Theory27 cited

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