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Introduction to Schenkerian Analysis
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  • 2008Music as Discourse79 cited
  • 1996From Gretchen to Tristan: The Changing Role of Harmonic Sequences in the Nineteenth Century50 cited
  • 2002Timing and Music44 cited
  • 2023Tonality35 cited
  • 2017Musical Syntax in John Williams’s Film Music Themes23 cited
  • 2022Apparently Imperfect: On the Analytical Issues of the IAC20 cited
  • 2016Bass-Line Melodies and Form in Four Piano and Chamber Works by Clara Wieck-Schumann19 cited
  • 1999Bridging the divide: embedding voice-leading analysis in string pedagogy and performance15 cited
  • 2008P erformance , G rouping and S chenkerian A lternative R eadings in S ome P assages from B eethoven ’ s ‘L ebewohl ’ S onata13 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 2013Cadential Intervention in S hostakovich's Piano Trio in E minor, Op. 6712 cited
  • 2010Form-Building Patterns and Metaphorical Meaning12 cited
  • 2022Creating Spiritual Spaces Through the Music of Arvo Pärt and Ljubica Marić9 cited
  • 2002Heinrich Schenker9 cited
  • 2009Sound-objects, Values and Characters in Åke Parmerud’sLes objets obscurs, 3rd Section

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7 cited
  • 2007Historisches Panoptikum der Satzmodelle6 cited