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The Glory of Van Gogh: An Anthropology of Admiration.
0 references·16 citing·56 second hopsampled
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  • 1998Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices1,955 cited
  • 2015Persona as method: exploring celebrity and the public self through persona studies115 cited
  • 2016Why are artists getting poorer? About the reproduction of low income among artists70 cited
  • 2011The Making of Cultural Heritage53 cited
  • 2016The Paradox of Controversial Innovation: Insights From the Rise of Impressionism44 cited
  • 2013Mastering the jazz standard: Sayings and doings of artistic valuation35 cited
  • 2020From starving artist to entrepreneur. Justificatory pluralism in visual artists' grant proposals33 cited
  • 2022Justifying creative work: Norwegian business support and the conflicting narratives of creative industries28 cited
  • 2014Israeli drama: constructing the Israeli ‘quality’ television series as an art form27 cited
  • 2022Musikerne, bransjen og samfunnet17 cited
  • 2007No Barrique, No Berlusconi: Collective Identity, Contention, and Authenticity in the Making of Barolo and Barbaresco Wines15 cited
  • 2024A fRAmework of the DetermInants of Arts aNd Cultural Engagement (RADIANCE): integrated insights from ecological, behavioural and complex adaptive systems theories15 cited
  • 2015The agency of dead musicians13 cited

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  • 2022Musikkforlagets rolle i den digitale musikkbransjen13 cited
  • 2019Value, Bodily Capital, and Gender Inequality after Death13 cited
  • 2006What Makes Sciences “Scientific?”12 cited