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Music at the margins: popular music and global cultural diversity
0 references·16 citing·54 second hop
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  • 1997The Global Music Business as an Information Industry: Reinterpreting Economies of Culture46 cited
  • 2016The Globalization of Popular Music, 1960-2010: A Multilevel Analysis of Music Flows41 cited
  • 2006The Alienated Artist and the Political Economy of Organised Art30 cited
  • 2015The politics oftaqlidirap: reimagining Moroccanness in the era of global flows29 cited
  • 1997MTV and the Globalization of Popular Culture29 cited
  • 2013The Sound of Geopolitics: Popular Music and Political Rights23 cited
  • 2009The Elusive Muse: Understanding Musical Giftedness20 cited
  • 1999Translating Homosexuality18 cited
  • 2011Popular Musicians and Their Songs as Threats to National Security: A World Perspective17 cited
  • 1994Populist Rock in Postmodern Society: John Cougar Mellencamp in Perspective13 cited
  • 1995Popular song and social change in Kenya12 cited
  • 1998Fame, Fortune, and Failure11 cited
  • 1995Reggae, resistance and the state: Television and popular music in the Côte d'Ivoire9 cited
  • 1996Subcultural politics and social change: Alternative music in postcommunist Hungary6 cited
  • 1993

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Traditional criticism of popular music and the making of a lip‐synching scandal
6 cited
  • 1993A genre analysis of popular music in Taiwan3 cited