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Fermeture et adaptation des possibles artistiques dans le centre-ville du Caire post-révolutionnaire : produire l’art et la ville en contexte autoritaire
15 references·0 citing·46 second hop
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References

  • 1967Le droit à la ville1,377 cited
  • 2014Image politics in the Middle East: the role of the visual in political struggle128 cited
  • 2011The Global Street:Makingthe Political118 cited
  • 2012Image, Space, Revolution: The Arts of Occupation110 cited
  • 2013From Tahrir to the world: The camp as a political public space58 cited
  • 2014Popular Protest Music and the 2011 Egyptian Revolution49 cited
  • 2014Art as a diagnostic: assessing social and political transformation through public art in Cairo, Egypt19 cited
  • 2015Les graffitis de la rue Mohammed Mahmoud. Dialogisme et dispositifs médiatiques17 cited
  • 2015Strolling in Enemy Territory: Downtown Cairo, its Publics, and Urban Heterotopias12 cited
  • 2016Engaged Ephemeral Art: Street Art and the Egyptian Arab Spring10 cited
  • 2015Gestures of Resistance between the Street and the Theatre: Documentary Theatre in Egypt and Laila Soliman’s No Time for Art9 cited
  • 2015The prospects of gentrification in downtown Cairo: artists, private investment and the neglectful state6 cited
  • 2015The prospects of gentrification in downtown Cairo: artists, private investment and the neglectful state6 cited
  • 2007L'espace public urbain : de l'objet au processus de construction5 cited
  • 2020

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Private Initiatives versus State Interventions in Downtown Cairo: An On-Going Debate Questioning the Sustainability of Newly Pedestrianized Streets. The Cases of Kodak and Al-Alfi Passageways
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