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Art in the Twenty-First Century
16 references·1 citing·43 second hop
Art in the Twenty-First Century (2022)Art in the Twenty-First CenturyExpanding Professionalism in Music and Higher Music Education (2021)Expanding Professionalism in …Informal creative labour practices: A relational work perspective (2018)Informal creative labour prac…The challenges of platform capitalism: Understanding the logic of a new business model (2017)The challenges of platform ca…Why are artists getting poorer? About the reproduction of low income among artists (2016)Why are artists getting poore…How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More (2016)How to See the World: An Intr…Digitization of heritage collections as indicator of innovation (2016)Digitization of heritage coll…New technologies in cultural institutions: theory, evidence and policy implications (2011)New technologies in cultural …1 The Culture Industry: Enlightenment as Mass Deception (2011)1 The Culture Industry: Enlig…‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)‘A very complicated version o…The concentric circles model of the cultural industries (2008)The concentric circles model …Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004)Concentration and Diversity R…Social Differentiation in Musical Taste Patterns (2001)Social Differentiation in Mus…Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities (2001)Genres, Subgenres, Sub-Subgen…The global transformations reader : an introduction to the globalization debate (2000)The global transformations re…What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education (1997)What about the univores? Musi…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …The Visual Rhetoric of Innocence: Lolitas in Popular Culture (2011)The Visual Rhetoric of Innoce…Trade and Industry (1946)Innovation in services (1997)Reinventing Your Business Model (2008)Evaluating the efficiency of museums using multiple outputs: evidence from a regional system of museums in Spain (2013)‘Innovation is a dirty word’: contesting innovation in the creative industries (2016)Innovation and diversity in the digital cultural and creative industries (2021)Creative industries: contracts between art and commerce (2000)Economics and Culture (2000)The Creative Economy: How People Make Money From Ideas (2001)Modelling the cultural industries (2008)Multiple job-holding and artistic careers: some empirical evidence (2011)The Foucault Effect: Studies in Governmentality (1991)Engineering Culture: Control and Commitment in a High-Tech Corporation. (1995)The New Spirit of Capitalism (2005)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)From surviving to thriving in the gig economy: A research agenda for individuals in the new world of work (2018)Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy (2020)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)The Production of Culture Perspective (2004)You Can't Always Get What You Want: Educational Attainment, Agency, and Choice. (2005)How Cultural Tastes Shape Personal Networks (2006)Distinction: A Social Critique of the Judgement of Taste* (2018)Studying Popular Music (1990)Structural Equations with Latent Variables. (1991)Ideal Affect: Cultural Causes and Behavioral Consequences (2007)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Governance — Modebegriff oder nützliches sozialwissenschaftliches Konzept? (2004)Globalization and location choice: an analysis of US multinational firms in 1980 and 2000 (2007)Yin Yang: A New Perspective on Culture (2011)‘I’m my own boss…’: Active intermediation and ‘entrepreneurial’ worker agency in the Australian gig-economy (2020)How platforms govern: Social regulation in digital capitalism (2023)Placing the platform economy: the emerging, developing and upgrading of Taobao villages as a platform-based place making phenomenon in China (2023)Artificial vision, white space and racial surveillance capitalism (2020)Race, Rhetoric, and Research Methods (2021)The “Fox Eye” Challenge Trend: Anti-Racism Work, Platform Affordances, and the Vernacular of Gesticular Activism on TikTok (2023)Festivals and Social Change: Intersections of Pleasure and Politics at a Community Music Festival (2008)Digital Youth, Innovation, and the Unexpected (2009)The Reorganization of the Sensory World (2010)
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References

  • 2000The global transformations reader : an introduction to the globalization debate767 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 20111 The Culture Industry: Enlightenment as Mass Deception519 cited
  • 2009‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries420 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 2008The concentric circles model of the cultural industries372 cited
  • 2017The challenges of platform capitalism: Understanding the logic of a new business model315 cited
  • 1997What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education194 cited
  • 2011New technologies in cultural institutions: theory, evidence and policy implications165 cited
  • 2016How to See the World: An Introduction to Images, from Self-Portraits to Selfies, Maps to Movies, and More151 cited
  • 2004Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990150 cited
  • 2001Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation Within Electronic/Dance Music Communities145 cited
  • 2018Informal creative labour practices: A relational work perspective137 cited
  • 2016Digitization of heritage collections as indicator of innovation

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91 cited
  • 2021Expanding Professionalism in Music and Higher Music Education71 cited
  • 2016Why are artists getting poorer? About the reproduction of low income among artists70 cited
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    • 2011The Visual Rhetoric of Innocence: Lolitas in Popular Culture6 cited