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Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music
5 references·0 citing·18 second hop
Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music (2022)Catching Up with the West? Historiographi…The Power of Arterial Language in Constructing a Musical Vocabulary of One’s Own: Inheriting the Inspiration and Gene of Innovation in Electroacoustic Music from Chinese Culture (2018)The Power of Arterial Languag…Listening through the Noise (2010)Listening through the NoiseThe Voicing of the Voiceless in Tan Dun’s The Map : Horizon of Expectation and the Rhetoric of National Style (2008)The Voicing of the Voiceless …Chou Wen-Chung's Cross-Cultural Experience and His Musical Synthesis: The Concept of Syncretism Revisited (2001)Chou Wen-Chung's Cross-Cultur…Between Romanticism and Modernism (1980)Between Romanticism and Moder…Marxism and the Interpretation of Culture (1400)Visual Pleasure and Narrative Cinema (1975)Can the Subaltern Speak? (2003)Heteroglossia and Traditional Vocal Genres in Chinese-Western Fusion Concertos (2013)Performing Studies of Music in Asian Cultures: Some Personal Reflections on What We Have Been and Are Up To (2014)Tan Dun’s The First Emperor and the Expectations of Exoticism (2016)THE SIGNIFICANCE OF THE STUDY OF ACCULTURATION FOR ANTHROPOLOGY (1937)ASIAN CONCEPTS AND TWENTIETH-CENTURY WESTERN COMPOSERS (1971)The anthropology of experience (1986)Bright Sheng's music: An expression of cross-cultural experience—illustrated through the motivic, contrapuntal and tonal treatment of the Chinese folk songThe Stream Flows (2007)Transcoding the I Ching as Composition Techniques in Chou Wen Chung, Zhao Xiaosheng and Chung Yiu Kwong (2019)Chinese Émigré Composers and Divergent Modernisms (2024)Immersion Into Noise (2011)Sound-based Brutalism: An emergent aesthetic (2016)The Sounds of Climate Change: Sonic Rhetoric in the Anthropocene, the Age of Human Impact (2016)The Dahlhaus Project and Its Extra-Musicological Sources (1991)The Cambridge History of Twentieth-Century English Literature (2005)Defining the Term 'Absolute Music' Historically (2009)
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References

  • 2010Listening through the Noise239 cited
  • 1980Between Romanticism and Modernism200 cited
  • 2001Chou Wen-Chung's Cross-Cultural Experience and His Musical Synthesis: The Concept of Syncretism Revisited15 cited
  • 2008The Voicing of the Voiceless in Tan Dun’s The Map : Horizon of Expectation and the Rhetoric of National Style8 cited
  • 2018The Power of Arterial Language in Constructing a Musical Vocabulary of One’s Own: Inheriting the Inspiration and Gene of Innovation in Electroacoustic Music from Chinese Culture7 cited

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