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Commodifying participation through choreographed engagement: the Taylor Swift case
16 references·2 citing·43 second hop
Commodifying participation through choreographed engagement: the Taylor Swift case (2023)Commodifying participation through choreo…Music Platforms and the Optimization of Culture (2020)Music Platforms and the Optim…Locating Power in Platformization: Music Streaming Playlists and Curatorial Power (2020)Locating Power in Platformiza…Playing to the crowd: Musicians, audiences, and the intimate work of connection (2019)Playing to the crowd: Musicia…The platformization of cultural production: Theorizing the contingent cultural commodity (2018)The platformization of cultur…From creator to data: the post-record music industry and the digital conglomerates (2018)From creator to data: the pos…Alignment: Explicating a Key Concept in Strategic Communication (2018)Alignment: Explicating a Key …Algorithmic brand culture: participatory labour, machine learning and branding on social media (2018)Algorithmic brand culture: pa…A reality check(list) for digital methods (2018)A reality check(list) for dig…Twitter hashtags from ad hoc to calculated publics (2015)Twitter hashtags from ad hoc …The Platformization of the Web: Making Web Data Platform Ready (2015)The Platformization of the We…New Economy of Fandom (2014)New Economy of FandomInternet and Surveillance (2013)Internet and SurveillanceThe uninvited brand (2011)The uninvited brandThe evolution of IMC: IMC in a customer-driven marketplace (2009)The evolution of IMC: IMC in …BRAND AS ASSEMBLAGE (2009)BRAND AS ASSEMBLAGEPutting Consumers to Work (2008)Putting Consumers to WorkJuegos de realidad alternativa (ARG) e implicación del fandom en el universo narrativo de Taylor Swift (2024)Juegos de realidad alternativ…A semantic network and fantasy theme analysis of symbolic convergence and fan engagement with Taylor Swift’s songs (2024)A semantic network and fantas…Simulacra and Simulation (1995)Imperial leather: race, gender and sexuality in the colonial contest (1996)Representation: Cultural representations and signifying practices. (1997)Heterotopian selfies: how social media destabilizes brand assemblages (2016)Extending the luxury experience to social media – User-Generated Content co-creation in a branded event (2018)What Drives Herding Behavior in Online Ratings? The Role of Rater Experience, Product Portfolio, and Diverging Opinions (2019)The Commitment-Trust Theory of Relationship Marketing (1994)Evolving to a New Dominant Logic for Marketing (2003)Production, Consumption, Prosumption (2010)Access-Based Consumption: The Case of Car Sharing: Table 1. (2012)Value co-creation: concept and measurement (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The Language of New Media (2002)Platform Competition in Two-Sided Markets (2003)4 What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software (2012)Infrastructure studies meet platform studies in the age of Google and Facebook (2016)The politics of ‘platforms’ (2010)The second machine age: work, progress, and prosperity in a time of brilliant technologies (2015)Managing visibility on YouTube through algorithmic gossip (2019)Platformisation (2019)What is platform governance? (2019)Reassembling the Social (2005)The Platform Society (2018)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)The Streaming Paradox: Untangling the Hybrid Gatekeeping Mechanisms of Music Streaming (2022)E-commerce and consumer behavior: A review of AI-powered personalization and market trends (2024)The long tail: why the future of business is selling less of more (2007)Streaming’s Effects on Music Culture: Old Anxieties and New Simplifications (2021)Algorithms of Resistance (2024)Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding (2002)Social media: The new hybrid element of the promotion mix (2009)Users of the world, unite! The challenges and opportunities of Social Media (2009)How Does Brand-related User-generated Content Differ across YouTube, Facebook, and Twitter? (2012)Consumer Brand Engagement in Social Media: Conceptualization, Scale Development and Validation (2014)The Role of Customer Engagement Behavior in Value Co-Creation (2014)Using APIs for Data Collection on Social Media (2014)The algorithmic imaginary: exploring the ordinary affects of Facebook algorithms (2016)Constructing a Data‐Driven Society: China's Social Credit System as a State Surveillance Infrastructure (2018)The Affordances of Social Media Platforms (2017)The Digital Architectures of Social Media: Comparing Political Campaigning on Facebook, Twitter, Instagram, and Snapchat in the 2016 U.S. Election (2018)Gender Differences in the Global Music Industry: Evidence from MusicBrainz and The Echo Nest (2019)DIY Music and the Politics of Social Media (2020)Un Grano de Arena: Infrastructural Care, Social Media Platforms, and the Venezuelan Humanitarian Crisis (2021)
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References

  • 2018The platformization of cultural production: Theorizing the contingent cultural commodity1,724 cited
  • 2015The Platformization of the Web: Making Web Data Platform Ready1,456 cited
  • 2011The uninvited brand728 cited
  • 2008Putting Consumers to Work721 cited
  • 2015Twitter hashtags from ad hoc to calculated publics212 cited
  • 2019Playing to the crowd: Musicians, audiences, and the intimate work of connection204 cited
  • 2020Locating Power in Platformization: Music Streaming Playlists and Curatorial Power175 cited
  • 2020Music Platforms and the Optimization of Culture153 cited
  • 2013Internet and Surveillance128 cited
  • 2009BRAND AS ASSEMBLAGE122 cited
  • 2018From creator to data: the post-record music industry and the digital conglomerates116 cited
  • 2018A reality check(list) for digital methods111 cited
  • 2009The evolution of IMC: IMC in a customer-driven marketplace111 cited
  • 2018Algorithmic brand culture: participatory labour, machine learning and branding on social media97 cited
  • 2018Alignment: Explicating a Key Concept in Strategic Communication91 cited
  • 2014

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New Economy of Fandom
86 cited

Cited by

  • 2024A semantic network and fantasy theme analysis of symbolic convergence and fan engagement with Taylor Swift’s songs2 cited
  • 2024Juegos de realidad alternativa (ARG) e implicación del fandom en el universo narrativo de Taylor Swift1 cited