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Splendour XR: Place, Experience and Liveness at a Virtual Music Festival
10 references·1 citing·38 second hop
Splendour XR: Place, Experience and Liveness at a Virtual Music Festival (2023)Splendour XR: Place, Experience and Liven…Staying in, rocking out: Online live music portal shows during the coronavirus pandemic (2020)Staying in, rocking out: Onli…Everyday Life and Everyday Communication in Coronavirus Capitalism (2020)Everyday Life and Everyday Co…Music Festivals and the Politics of Participation (2016)Music Festivals and the Polit…Festival Spaces, Identity, Experience and Belonging (2016)Festival Spaces, Identity, Ex…The Pop Festival (2015)The Pop FestivalEthnography and Virtual Worlds (2012)Ethnography and Virtual WorldsDigital Liveness: A Historico-Philosophical Perspective (2012)Digital Liveness: A Historico…Sound Tracks: Popular Music Identity and Place (2002)Sound Tracks: Popular Music I…Media technology and society: a history: from the telegraph to the Internet (1999)Media technology and society:…Rockin' the boat: mass music and mass movements (1993)Rockin' the boat: mass music …Emerging Patterns of Participation in Virtual Live Concerts (2025)Emerging Patterns of Particip…Truth and Method (1960)Noise, the Political Economy of Music (1989)Liveness: performance in a mediatized culture (2008)The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience (2018)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)The Constitution of Society. Outline of the Theory of Structuration (1984)The Production of Space (1992)Risk Society: Towards a New Modernity (1993)The Need for Emotional Intelligence Training Education in Critical and Stressful Situations: The Case of Covid-19 (2020)The Global Trust Deficit Disorder: A Communications Perspective on Trust in the Time of Global Pandemics (2021)The existential risk space of climate change (2022)Club Cultures: Music, Media and Subcultural Capital (1997)Blogs, Wikipedia, Second Life, and beyond: from production to produsage (2009)Spreadable Media: Creating Value and Meaning in a Networked Culture (2014)Precarious Labor in COVID Times: The Case of Musicians (2021)Tales of temporary disruption: Digital adaptations in the first 100 days of the cultural Covid lockdown (2021)"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)Festivalisation of cultural production: experimentation, spectacularisation and immersion (2016)The antecedents of visitors' flow experience and its influence on memory and behavioral intentions in the music festival context (2021)How heritage promotes social cohesion: An urban survey from Nara city, Japan (2024)Do music festival communities address environmental sustainability and how? A Scottish case study (2019)Curating the urban music festival: Festivalisation, the ‘shuffle’ logic, and digitally-shaped music consumption (2021)Making space: Investigating the diversity conundrum for British music festivals (2022)Civilised Tribalism: Burning Man, Event-Tribes and Maker Culture (2017)The mediated festival: Live music as trigger of streaming and social media engagement (2017)No Dead Air! The iPod and the Culture of Mobile Listening (2005)The Future is Now (2009)Studying political microblogging: Twitter users in the 2010 Swedish election campaign (2011)Ethnography for the Internet: Embedded, Embodied and Everyday (2016)Digital Methods for Ethnography: Analytical Concepts for Ethnographers Exploring Social Media Environments (2017)Memes and symbolic violence: #proudboys and the use of memes for propaganda and the construction of collective identity (2018)A Reconsideration of Personal Boundaries in Space-Time (1995)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Celebrity Politicians: Popular Culture and Political Representation (2004)Cultural economy: a critical review (2005)Metrolingualism: fixity, fluidity and language in flux (2009)The effects of social media on emotions, brand relationship quality, and word of mouth: An empirical study of music festival attendees (2014)
this work references cited by second hop

References

  • 2012Ethnography and Virtual Worlds763 cited
  • 2002Sound Tracks: Popular Music Identity and Place424 cited
  • 1999Media technology and society: a history: from the telegraph to the Internet340 cited
  • 1993Rockin' the boat: mass music and mass movements225 cited
  • 2012Digital Liveness: A Historico-Philosophical Perspective167 cited
  • 2020Everyday Life and Everyday Communication in Coronavirus Capitalism117 cited
  • 2020Staying in, rocking out: Online live music portal shows during the coronavirus pandemic67 cited
  • 2015The Pop Festival51 cited
  • 2016Festival Spaces, Identity, Experience and Belonging47 cited
  • 2016Music Festivals and the Politics of Participation42 cited

Cited by

  • 2025Emerging Patterns of Participation in Virtual Live Concerts6 cited

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