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This article examines how Briony, the central protagonist of Ian McEwan’s novel Atonement comes to terms with her guilt for the wrong she had done as a 13-year-old. Her guilt turns into a traumatic memory which she attempts to overcome by adopting the therapeutic exercise of writing, i.e. scriptotherapy.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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