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A Raciosemiotics of Appropriation: Transnational Performance of Raciogender among Mexican K-Pop Fans
16 references·5 citing·40 second hop
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 2005Identity and interaction: a sociocultural linguistic approach3,794 cited
  • 2010The Sociolinguistics of Globalization3,725 cited
  • 2018The unpublished manuscript3,215 cited
  • 2017Unsettling race and language: Toward a raciolinguistic perspective1,613 cited
  • 2005Voice, Footing, Enregisterment1,334 cited
  • 2011The sociolinguistics of globalization1,180 cited
  • 1992Genre, Intertextuality, and Social Power1,167 cited
  • 2005Axes of Evals438 cited
  • 2016Embodied sociolinguistics418 cited
  • 2015Discourse Analysis beyond the Speech Event323 cited
  • 2020The Oxford Handbook of Language and Race280 cited
  • 2012Brand, Citationality, Performativity241 cited
  • 2016Sociolinguistics: Theoretical Debates232 cited
  • 2011Large and small scale forms of personhood158 cited
  • 2013The Korean Wave135 cited

Cited by

  • 2023

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Toward a “Both-And” Semiotics of Intersectionality: Raciolinguistics beyond White Settler-Colonial Situations
16 cited
  • 2024Consumer insights on cultural appropriation in fashion: a Douyin analysis12 cited
  • 2024Evolving yet contentious transcultural fanscapes: Peruvian fans’ accounts of K-pop and its fandoms6 cited
  • 2025The comedic performance of Mock Haitian in Dominican media: A raciosemiotic approach to enregisterment4 cited
  • 2025Introduction: Mother Tongue as Global Politics2 cited