SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Potential History: Unlearning Imperialism
0 references·16 citing·33 second hop
Potential History: Unlearning Imperialism (2020)Potential History: Unlearning ImperialismLearning to Share the World: Reckoning With the Logistics of Whiteness in Public Galleries and Museums (2024)Learning to Share the World: …The 11th Lawrence R. Schehr Memorial Award-Winning Essay (2023)The 11th Lawrence R. Schehr M…INTRODUCTION: (2023)INTRODUCTION:Conservation of Contemporary Art (2023)Conservation of Contemporary …Time and symbols in the contentious city (2022)Time and symbols in the conte…Screening postcolonial intellectuals: cinematic engagements and postcolonial activism (2022)Screening postcolonial intell…Poisonous Heritage: Chemical Conservation, Monitored Collections, and the Threshold of Ethnological Museums (2022)Poisonous Heritage: Chemical …How Comics Travel: Publication, Translation, Radical Literacies (2022)How Comics Travel: Publicatio…Doing Diversity in Museums and Heritage (2022)Doing Diversity in Museums an…What is Netflix imperialism? Interrogating the monopoly aspirations of the ‘World's largest television network’ (2021)What is Netflix imperialism? …Seeing Experimental Imperialism in the Nuclear Pacific (2021)Seeing Experimental Imperiali…Pyrotechnics and photography: saltpeter and the colonial history of photographic lighting (2021)Pyrotechnics and photography:…Practicing Decoloniality in Museums (2021)Practicing Decoloniality in M…Objects of Migration—Photo-Objects of Art History: Encounters in an Archive (2021)Objects of Migration—Photo-Ob…Introduction: Annemarie Schwarzenbach's Photographic Practice (2021)Introduction: Annemarie Schwa…Decolonizing processes in film education (2021)Decolonizing processes in fil…Lectures on Kant's Political Philosophy (1982)A Billion Black Anthropocenes or None (2018)The Origins of Totalitarianism (2018)Teaching to transgress: education as the practice of freedom (1995)Representation: Cultural representations and signifying practices. (1997)Decolonization is not a metaphor (2012)Introduction: commodities and the politics of value (1986)The cultural biography of things: commoditization as process (1986)Art And Agency (1998)Disenchanted night: the industrialization of light in the nineteenth century (1989)War and Cinema: The Logistics of Perception (1991)A Geology of Media (2015)Subterranean Fire (2025)Unthinking Eurocentrism: Multiculturalism and the Media (1996)Modernity at Large: Cultural Dimensions of Globalization. (1998)Platform capitalism: The intermediation and capitalisation of digital economic circulation (2017)“The algorithm is like a mercurial god”: Exploring content creators’ perception of algorithmic agency on YouTube (2024)Algorithmic orientalism? Netflix’s representation of China in Brazil (2024)The Clash of Civilizations? (1993)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)The Location of Culture (2012)Colonial Discourse and Post-Colonial Theory: A Reader (1995)Selections from the prison notebooks of Antonio Gramsci (2015)Interrogating the limits of humanitarian art: the uncomfortable invitations of Ai Weiwei (2022)Time and the Other: How Anthropology Makes Its Object (1983)We Have Never Been Modern (1994)Vibrant Matter: A Political Ecology of Things (2010)The Body and the Archive (1986)Futures past: on the semantics of historical time (1987)Gender trouble: feminism and the subversion of identity (1990)Economic Action and Social Structure: The Problem of Embeddedness (1985)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)A Thousand Plateaus: Capitalism and Schizophrenia (1989)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2021What is Netflix imperialism? Interrogating the monopoly aspirations of the ‘World's largest television network’46 cited
  • 2021Seeing Experimental Imperialism in the Nuclear Pacific22 cited
  • 2022How Comics Travel: Publication, Translation, Radical Literacies13 cited
  • 2021Pyrotechnics and photography: saltpeter and the colonial history of photographic lighting12 cited
  • 2022Poisonous Heritage: Chemical Conservation, Monitored Collections, and the Threshold of Ethnological Museums8 cited
  • 2023The 11th Lawrence R. Schehr Memorial Award-Winning Essay8 cited
  • 2021Objects of Migration—Photo-Objects of Art History: Encounters in an Archive8 cited
  • 2021Decolonizing processes in film education7 cited
  • 2022Screening postcolonial intellectuals: cinematic engagements and postcolonial activism7 cited
  • 2023Conservation of Contemporary Art6 cited
  • 2021Practicing Decoloniality in Museums6 cited
  • 2023INTRODUCTION:6 cited
  • 2022Doing Diversity in Museums and Heritage4 cited
  • 2024Learning to Share the World: Reckoning With the Logistics of Whiteness in Public Galleries and Museums4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2022
Time and symbols in the contentious city
3 cited
  • 2021Introduction: Annemarie Schwarzenbach's Photographic Practice2 cited