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From separation to integration
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From separation to integration (2022)From separation to integrationVoicing the cinema: Film music and the integrated soundtrack (2020)Voicing the cinema: Film musi…Audio-Vision: Sound on Screen (2019)Audio-Vision: Sound on ScreenJohn Williams and Contemporary Film Music (2017)John Williams and Contemporar…Introducing the Creative Industries: From Theory to Practice (2013)Introducing the Creative Indu…Beautiful monsters: imagining the classic in musical media (2009)Beautiful monsters: imagining…Catching Dreams: Editing Film Scores for Publication (2007)Catching Dreams: Editing Film…The Startle Effect: Implications for Spectator Cognition and Media Theory (2000)The Startle Effect: Implicati…The Address of the Eye: A Phenomenology of Film Experience (1993)The Address of the Eye: A Phe…Sound theory/sound practice (1993)Sound theory/sound practiceSettling the Score: Music and the Classical Hollywood Film (1992)Settling the Score: Music and…Film sound: Theory and practice (1985)Film sound: Theory and practi…Emotion and Meaning in Music (1957)Emotion and Meaning in MusicArt and Illusion: A Study in the Psychology of Pictorial Representation (1960)The monster show: a cultural history of horror (1993)Cinema and Spectatorship (2002)(Why) Do You Like Scary Movies? A Review Of The Empirical Research On Psychological Responses To Horror Films (2010)A Very Nervous Person's Guide to Horror Movies (2021)Shakespeare Beyond the Green World (2023)Framing Meaning Perceptions with Music: The Case of Teaser Ads (2001)The End of Diegesis As We Know It? (2013)Understanding Video Game Music (2016)Is Infant-Directed Speech Prosody a Result of the Vocal Expression of Emotion? (2000)International Handbook of Research in Arts Education (2007)Being Together in Time: Musical Experience and the Mirror Neuron System (2009)Handbook of Phenomenological Aesthetics (2009)Jean Epstein : Critical Essays and New Translations (2012)The Empathic Screen (2019)Formulating a Revised Taxonomy for Modes of Listening (2012)Listening geographies (2016)Supervised machine learning for audio emotion recognition (2020)Perceptual judgement of the relationship between musical and visual components in film. (1994)Reforming "Jackass Music": The Problematic Aesthetics of Early American Film Music Accompaniment (1997)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sonic geographies (2013)Factores, condiciones y contexto del emprendimiento cultural (2018)Introduction to A Research Agenda for Creative Industries (2019)Empreendedorismo cultural e artístico: veredas da pesquisa acadêmica (2021)Musical Wallpaper? (2012)The End(s) of Genre (2013)Film‐as‐Concert Music and the Formal Implications of ‘Cinematic Listening’ (2018)
this work references cited by second hop

References

  • 1957Emotion and Meaning in Music768 cited
  • 1993Sound theory/sound practice570 cited
  • 2019Audio-Vision: Sound on Screen549 cited
  • 1985Film sound: Theory and practice381 cited
  • 1993The Address of the Eye: A Phenomenology of Film Experience352 cited
  • 1992Settling the Score: Music and the Classical Hollywood Film314 cited
  • 2009Beautiful monsters: imagining the classic in musical media120 cited
  • 2000The Startle Effect: Implications for Spectator Cognition and Media Theory91 cited
  • 2013Introducing the Creative Industries: From Theory to Practice72 cited
  • 2020Voicing the cinema: Film music and the integrated soundtrack25 cited
  • 2007Catching Dreams: Editing Film Scores for Publication11 cited
  • 2017John Williams and Contemporary Film Music5 cited

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