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Identifying Original and Restoration Materials through Spectroscopic Analyses on Saturnino Gatti Mural Paintings: How Far a Noninvasive Approach Can Go

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References

2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
2018Mid and Near-Infrared Reflection Spectral Database of Natural Organic Materials in the Cultural Heritage Field166 cited
2009FT-NIR spectroscopy for non-invasive identification of natural polymers and resins in easel paintings148 cited
2015Interpretation of mid and near-infrared reflection properties of synthetic polymer paints for the non-invasive assessment of binding media in twentieth-century pictorial artworks85 cited
2020External reflectance FTIR dataset (4000–400 cm−1) for the identification of relevant mineralogical phases forming Cultural Heritage materials70 cited
2001Identification of Synthetic Resins Used in Works of Art by Fourier Transform Infrared Spectroscopy66 cited
2018Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii62 cited
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2017Non-invasive techniques for revealing the palette of the Romantic painter Francesco Hayez35 cited
2009The application of in situ mid-FTIR fibre-optic reflectance spectroscopy and GC–MS analysis to monitor and evaluate painting cleaning35 cited
2018Use of integrated non-invasive analyses for pigment characterization and indirect dating of old restorations on one Egyptian coffin of the XXI dynasty32 cited
2010Comparison of three portable EDXRF spectrometers for pigment characterization

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