SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy
16 references·0 citing·40 second hop
In-depth structural and compositional assessment of aged terpenoid varnish layers by nonlinear optical microscopy (2023)In-depth structural and compositional ass…Femtosecond pump-probe microscopy generates virtual cross-sections in historic artwork (2014)Femtosecond pump-probe micros…In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy (2012)In situ 3D characterization o…Total Synchronous Fluorescence Spectroscopy Combined with Multivariate Analysis: Method for the Classification of Selected Resins, Oils, and Protein-Based Media Used in Paintings (2009)Total Synchronous Fluorescenc…Aging and yellowing of triterpenoid resin varnishes – Influence of aging conditions and resin composition (2009)Aging and yellowing of triter…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Ageing behaviour and analytical pyrolysis characterisation of diterpenic resins used as art materials: Manila copal and sandarac (2003)Ageing behaviour and analytic…GC-MS characterization of paint varnishes (2000)GC-MS characterization of pai…Molecular studies of fresh and aged triterpenoid varnishes (1999)Molecular studies of fresh an…A Graphite-Assisted Laser Desorption/Ionization Study of Light-Induced Aging in Triterpene Dammar and Mastic Varnishes (1998)A Graphite-Assisted Laser Des…Accelerated Aging, Photochemical and Thermal Aspects (1996)Accelerated Aging, Photochemi…Old master paintings: a study of the varnish problem (1989)Old master paintings: a study…Fourier Transform Infrared Spectral Analysis of Natural Resins Used in Furniture Finishes (1989)Fourier Transform Infrared Sp…Photochemical and Thermal Degradation of Films of Dammar Resin (1988)Photochemical and Thermal Deg…Fluorescence of Paint and Varnish Layers (Part III) (1982)Fluorescence of Paint and Var…Fluorescence of Paint and Varnish Layers (Part II) (1982)Fluorescence of Paint and Var…Fluorescence of Paint and Varnish Layers (Part I) (1982)Fluorescence of Paint and Var…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Modern analytical methods in art and archaeology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)New investigations into the Uluburun resin cargo (2008)Review on the characterisation of ancient stringed musical instruments varnishes and implementation of an analytical strategy (2008)LC/MS and LC/MS/MS based protocol for identification of dyes in historic textiles (2009)THE INFRARED SPECTRA OF AMBER AND THE IDENTIFICATION OF BALTIC AMBER (1965)Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections (2007)Technology of Medieval Mortars: An Investigation into the Use of Organic Additives (2015)Potential of ATR-FTIR Spectroscopy for the Classification of Natural Resins (2018)Spectroscopic Investigations of Amber (1986)The Organic Chemistry of Museum Objects (1988)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)RECONSTRUCTING ANCIENT YEMENI COMMERCIAL ROUTES DURING THE MIDDLE AGES USING STRUCTURAL CHARACTERIZATION OF TERPENOID RESINS* (2008)Application of ATR-far-infrared spectroscopy to the analysis of natural resins (2010)Application of Science in Examination of Works of Art (1959)The museum environment (1978)Excimer laser restoration of painted artworks: procedures, mechanisms and effects (1998)Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy (2013)The Organic Chemistry of Museum Objects (1987)Identification of binding media in works of art by gas chromatography?mass spectrometry (2004)MALDI‐TOF mass spectrometry on cellulosic surfaces of fresh and photo‐aged di‐ and triterpenoid varnish resins (2005)Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry (2005)Recent Advances in Conservation (1967)In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2005)Identification of Organic Materials in Historic Oil Paintings Using Correlated Extractionless Surface-Enhanced Raman Scattering and Fluorescence Microscopy (2011)A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy (2017)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)UV-Vis spectroscopy (2018)Photodegradation of acrylic resins used in the conservation of stone (1999)A quick assessment of the photocatalytic activity of TiO2 pigments — From lab to conservation studio! (2015)Practical notes on ultraviolet technical photography for art examination (2015)Metal Soaps in Art (2019)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)
this work references cited by second hop

References

  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 1996Accelerated Aging, Photochemical and Thermal Aspects213 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part III)159 cited
  • 1988Photochemical and Thermal Degradation of Films of Dammar Resin122 cited
  • 2009Aging and yellowing of triterpenoid resin varnishes – Influence of aging conditions and resin composition113 cited
  • 2003Ageing behaviour and analytical pyrolysis characterisation of diterpenic resins used as art materials: Manila copal and sandarac95 cited
  • 1989Fourier Transform Infrared Spectral Analysis of Natural Resins Used in Furniture Finishes94 cited
  • 2000GC-MS characterization of paint varnishes92 cited
  • 1998A Graphite-Assisted Laser Desorption/Ionization Study of Light-Induced Aging in Triterpene Dammar and Mastic Varnishes86 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part II)83 cited
  • 1982Fluorescence of Paint and Varnish Layers (Part I)78 cited
  • 1989Old master paintings: a study of the varnish problem77 cited
  • 1999Molecular studies of fresh and aged triterpenoid varnishes75 cited
  • 2014Femtosecond pump-probe microscopy generates virtual cross-sections in historic artwork61 cited
  • 2009

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Total Synchronous Fluorescence Spectroscopy Combined with Multivariate Analysis: Method for the Classification of Selected Resins, Oils, and Protein-Based Media Used in Paintings
58 cited
  • 2012In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy58 cited
  • Cited by

    No citing works inside the corpus for this window.