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Looking for the Original Materials and Evidence of Restoration at the Vault of the San Panfilo Church in Tornimparte (AQ)

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References

2012Photochemical degradation study of polyvinyl acetate paints used in artworks by Py–GC/MS99 cited
2014Exploiting external reflection FTIR spectroscopy for the in-situ identification of pigments and binders in illuminated manuscripts. Brochantite and posnjakite as a case study67 cited
2002Caput mortuum: spectroscopic and structural studies of an ancient pigment56 cited
2021The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades42 cited
2019Infrared chemical mapping of degradation products in cross-sections from paintings and painted objects33 cited
2017A multi-analytical non-invasive and micro-invasive approach to canvas oil paintings. General considerations from a specific case30 cited
2023Materials and Technique: The First Look at Saturnino Gatti20 cited
2015A multi-disciplinary investigation of the “Tavolette fuori posto” of the “Hall of Barons” wooden ceiling of the “Steri” (Palermo, Italy)17 cited
1991Evaluation of the Stability, Appearance and Performance of Resins for the Adhesion of Flaking Paint on Ethnographic Objects16 cited
2023Identifying Original and Restoration Materials through Spectroscopic Analyses on Saturnino Gatti Mural Paintings: How Far a Noninvasive Approach Can Go14 cited
2023Multi-Technique Characterization of Painting Drawings of the Pictorial Cycle at the San Panfilo Church in Tornimparte (AQ)13 cited
2019Non-Invasive Investigation of Pigments of Wall Painting in S. Maria Delle Palate di Tusa (Messina, Italy)

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