SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The history of the creation, formation and development of the Museum of Theater, Music and Cinema Arts of Ukraine
16 references·0 citing·48 second hop
The history of the creation, formation and development of the Museum of Theater, Music and Cinema Arts of Ukraine (2023)The history of the creation, formation an…Rising from the ashes of the film museum: the role of individual habitus and political-economic structures in the shaping of the British Film Institute’s curatorial strategies and the establishment of the BFI Gallery (2023)Rising from the ashes of the …The Old Ashmolean Museum and Oxford’s Seventeenth-Century Chymical Community: A Material Culture Approach To Laboratory Experiments (2022)The Old Ashmolean Museum and …Do Museums Foster Innovation Through Engagement with the Cultural and Creative Industries? (2022)Do Museums Foster Innovation …An Academic Study of Clothing Ethnoculture and Modern Clothes Production: Interaction Practices in Ukraine (2022)An Academic Study of Clothing…Was Culture a Commodity ‘all’ Victorians Could Afford? – Notes on the First British Public Museums (2021)Was Culture a Commodity ‘all’…Stages of development, improvement and application of equipment for welding in space, created with the participation of Ukrainian scientists (2021)Stages of development, improv…Methodology for Assessing the Influence of Cultural Infrastructure on Regional Development in Poland and Ukraine (2020)Methodology for Assessing the…Cultural Programming for Social Catharsis: The Case of the Aeschylus Museum (2020)Cultural Programming for Soci…Playing a play: online and live performing arts consumers profiles and the role of supply constraints (2019)Playing a play: online and li…Performatively Driven: A Genre for Signifying in Popular Music Exhibitions (2019)Performatively Driven: A Genr…Curatorial practice in popular music museums: An emerging typology of structuring concepts (2018)Curatorial practice in popula…Comparing conspicuous consumption across different experiential products: Culture and leisure (2018)Comparing conspicuous consump…Understanding the Exhibitionary Characteristics of Popular Music Museums (2017)Understanding the Exhibitiona…Measuring the impact of museum activities on well-being: developing the Museum Well-being Measures Toolkit (2015)Measuring the impact of museu…To Be Virtual . . . or Not to Be: Theatre Museum Canada’s Travels into the World of Technology (2007)To Be Virtual . . . or Not to…Picturing the screen: The American museum of the moving image (1996)Picturing the screen: The Ame…Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)EuroQol - a new facility for the measurement of health-related quality of life (1990)From preservation to entertainment: Accounting for the transformation of participation in Italian state museums (2020)Can Museums Help Visitors Thrive? Review of Studies on Psychological Wellbeing in Museums (2022)The Nexus between Cultural Heritage Management and the Mental Health of Urban Communities (2022)The Birth of the Museum: History, Theory, Politics (1995)Wondrous Difference: Cinema, Anthropology, and Turn-Of-The-Century Visual Culture (2001)Segregating sound: inventing folk and pop music in the age of Jim Crow (2010)Transcendent myths, mundane objects: setting the material scene in rock, soul, and country museums (2017)Strangers, Guests, or Clients? Visitor Experiences in Museums (1999)Museum studies : an anthology of contexts (2004)Retromania: Pop Culture's Addiction to Its Own Past (2011)Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice (2021)Towards transparent decision-making processes within museums: Case study of Museu Nacional d′Art de Catalunya (MNAC) (2024)To Do or to Have? That Is the Question. (2003)Conspicuous leisure: The social visibility of cultural experiences (2019)Luxury consumption amidst the COVID-19 pandemic (2022)Social cynicism, greenwashing, and trust in green clothing brands (2023)Advances in Consumer Research (2025)Advances in Consumer Research (2025)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)A Theory of Adaptation (2006)Reading Images (2006)Museums as sites for displaying sound materials: a five-use framework (2021)Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study (2022)Communicating Through Sound in Museums: A Genre‐Based Framework (2024)Digital Divide (2001)Digital divide: civic engagement, information poverty, and the Internet worldwide (2002)De gustibus non est disputandum (2010)Beyond the “substitution effect”: the impact of digital experience quality on future cultural participation (2023)Digital cultural tourism: older adults’ acceptance and use of digital cultural tourism services (2023)Attracting new audiences to high culture: an analysis of live broadcasted performing arts at cinema theaters (2024)Cities and the Creative Class (2005)The Flight of the Creative Class (2006)Opportunities for cultural consumption: How is cultural participation in Switzerland shaped by regional cultural infrastructure? (2016)Mapping the Literature on Financial Behavior: a Bibliometric Analysis Using the VOSviewer Program (2022)Analysis on Regional Disparities and Influencing Factors in Cultural Infrastructure (2023)Response to shrinking cities: Cultural urban regeneration (2024)A Guide to Historical Method (1947)Archival Practice and the Foundations of Historical Method (1991)Emergence and development of the Kyiv school of artistic textiles in the XX century (2022)Entrepreneurship: Productive, Unproductive, and Destructive (1990)The Rise of the Creative Class (2002)Neither market nor hierarchy: Network Forms of Organization (2014)An exploration of participants’ views and experiences of cultural museums and their challenges (2023)Exploration of Digital Business Ecosystem Model for Museums Systems to Enhance Co-creation Innovation (2024)The Museum as a learning environment and a supplement to school learning: An example of the educational programs of the Kikinda National Museum (2023)
this work references cited by second hop

References

  • 2015Measuring the impact of museum activities on well-being: developing the Museum Well-being Measures Toolkit65 cited
  • 2018Comparing conspicuous consumption across different experiential products: Culture and leisure46 cited
  • 2019Playing a play: online and live performing arts consumers profiles and the role of supply constraints41 cited
  • 2020Methodology for Assessing the Influence of Cultural Infrastructure on Regional Development in Poland and Ukraine23 cited
  • 2022The Old Ashmolean Museum and Oxford’s Seventeenth-Century Chymical Community: A Material Culture Approach To Laboratory Experiments22 cited
  • 2021Stages of development, improvement and application of equipment for welding in space, created with the participation of Ukrainian scientists16 cited
  • 2017Understanding the Exhibitionary Characteristics of Popular Music Museums15 cited
  • 2022Do Museums Foster Innovation Through Engagement with the Cultural and Creative Industries?12 cited
  • 2019Performatively Driven: A Genre for Signifying in Popular Music Exhibitions11 cited
  • 2018Curatorial practice in popular music museums: An emerging typology of structuring concepts7 cited
  • 2022An Academic Study of Clothing Ethnoculture and Modern Clothes Production: Interaction Practices in Ukraine5 cited
  • 2007To Be Virtual . . . or Not to Be: Theatre Museum Canada’s Travels into the World of Technology4 cited
  • 2021Was Culture a Commodity ‘all’ Victorians Could Afford? – Notes on the First British Public Museums

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited
  • 1996Picturing the screen: The American museum of the moving image3 cited
  • 2020Cultural Programming for Social Catharsis: The Case of the Aeschylus Museum2 cited
  • 2023Rising from the ashes of the film museum: the role of individual habitus and political-economic structures in the shaping of the British Film Institute’s curatorial strategies and the establishment of the BFI Gallery2 cited
  • Cited by

    No citing works inside the corpus for this window.