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Animals hidden in plain sight: stereoscopic recording of Palaeolithic rock art at La Pasiega cave, Cantabria
12 references·2 citing·42 second hop
Animals hidden in plain sight: stereoscopic recording of Palaeolithic rock art at La Pasiega cave, Cantabria (2023)Animals hidden in plain sight: stereoscop…SCENES AND NON-SCENES IN ROCK ART (2021)SCENES AND NON-SCENES IN ROCK…Arte paleolítico en Salamanca. Nuevos hallazgos en el yacimiento de El Paraje de La Salud (2021)Arte paleolítico en Salamanca…Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art (2020)Upper Palaeolithic Installati…Response to White et al.’s reply: ‘Still no archaeological evidence that Neanderthals created Iberian cave art’ [J. Hum. Evol. (2020) 102640] (2020)Response to White et al.’s re…Modelled clay animals in Aitzbitarte IV Cave: A unique Palaeolithic rock art site in the Cantabrian Region (2020)Modelled clay animals in Aitz…New discoveries of pre-Magdalenian cave art in the central area of the Cantabrian region (Spain) (2019)New discoveries of pre-Magdal…U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)U-Th dating of carbonate crus…Nuevos grabados y pinturas en las cuevas del Monte del Castillo (2009)Nuevos grabados y pinturas en…The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art (2007)The Hidden Meaning of Forms: …The nature of Paleolithic art (2006)The nature of Paleolithic artNuevas investigaciones en la cueva de la Pasiega (Puente Viesgo, Cantabria) (1993)Nuevas investigaciones en la …Le relevé des oeuvres pariétales paléolithiques (1987)Le relevé des oeuvres pariéta…Evolution and Uses of Rock Art Sites: Contribution of Morphogenic Mapping of Rock Walls (2026)Evolution and Uses of Rock Ar…El pasado en el presente. El arte rupestre en el arte contemporáneo (2025)El pasado en el presente. El …Myth and Meaning (1978)Towards a cognitive archaeology (1994)Handbook of rock art research (2001)Digital image enhancement with DStretch®: Is complexity always necessary for efficiency? (2015)Beyond art: The internal archaeological context in Paleolithic decorated caves (2018)Still no archaeological evidence that Neanderthals created Iberian cave art (2019)Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behaviour in the Middle Stone Age (2004)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The timing and spatiotemporal patterning of Neanderthal disappearance (2014)Palaeolithic cave art in Borneo (2018)Earliest hunting scene in prehistoric art (2019)Oldest cave art found in Sulawesi (2021)The Oxford Handbook of the Archaeology of Ritual and Religion (2011)Pleistocene cave art from Sulawesi, Indonesia (2014)Upper Palaeolithic art as a perceptual search for magical images (2021)Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France) (2022)Conversations with Caves: The Role of Pareidolia in the Upper Palaeolithic Figurative Art of Las Monedas and La Pasiega (Cantabria, Spain) (2023)Palaeoproteomic evidence identifies archaic hominins associated with the Châtelperronian at the Grotte du Renne (2016)A 51,000-year-old engraved bone reveals Neanderthals’ capacity for symbolic behaviour (2021)The symbolic role of the underground world among Middle Paleolithic Neanderthals (2021)Narrative cave art in Indonesia by 51,200 years ago (2024)We will be known by the tracks we leave behind: Exotic lithic raw materials, mobility and social networking among the Côa Valley foragers (Portugal) (2012)La ‘Galería de los Bisontes’: un nuevo sector decorado en la Cueva de Alkerdi (Urdazubi/Urdax, Navarra) (2015)Applications of digital photography in the study of Paleolithic cave art (2016)Experimental insights into cognition, motor skills, and artistic expertise in Paleolithic art (2024)Seeing is believing: An Augmented Reality application for Palaeolithic rock art (2024)Images and Places in the Upper Palaeolithic of the Douro Basin, Iberian Peninsula: An Ontological Approach (2026)Independent component analysis (ICA): A statistical approach to the analysis of superimposed rock paintings (2020)Hands Stencils in El Castillo Cave (Puente Viesgo, Cantabria, Spain). An Interdisciplinary Study (2021)Improved Application of Hyperspectral Analysis to Rock Art Panels from El Castillo Cave (Spain) (2021)New evidence for the presence of reindeer ( R angifer tarandus ) on the I berian P eninsula in the P leistocene: an archaeopalaeontological and chronological reassessment (2013)Temps et réseaux de l’art paléolithique : la grotte de La Covaciella (Asturies, Espagne) (2016)A study of the artistic corpus of red cave paintings in El Buxu cave (Cangas de Onís, Asturias, Spain) (2022)A NARRATIVE TURN: HUMAN AGENCY IN ROCK CARVINGS AT NÄMFORSEN, NORTHERN SWEDEN (2023)Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia (2024)Art, Rock Art or Not Art (2025)Mammuthus primigenius in the cave and portable art: An overview with a short account on the elephant fossil record in Southern Europe during the last glacial (2012)Rock Art Recording Methods: From Traditional to Digital (2014)Contribution of 3D technologies to the analysis of form in late palaeolithic rock carvings: The case of the Roc-aux-Sorciers rock-shelter (Angles-sur-l’Anglin, France) (2015)The essential role of ritual in the transmission and reinforcement of social norms. (2012)Cultural group selection plays an essential role in explaining human cooperation: A sketch of the evidence (2014)Collective action and the evolution of social norm internalization (2017)
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References

  • 2018U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art652 cited
  • 2006The nature of Paleolithic art244 cited
  • 2007The Hidden Meaning of Forms: Methods of Recording Paleolithic Parietal Art97 cited
  • 2020Response to White et al.’s reply: ‘Still no archaeological evidence that Neanderthals created Iberian cave art’ [J. Hum. Evol. (2020) 102640]45 cited
  • 1987Le relevé des oeuvres pariétales paléolithiques22 cited
  • 2020Upper Palaeolithic Installation Art: Topography, Distortion, Animation and Participation in the Production and Experience of Cantabrian Cave Art20 cited
  • 2019New discoveries of pre-Magdalenian cave art in the central area of the Cantabrian region (Spain)14 cited
  • 2021SCENES AND NON-SCENES IN ROCK ART13 cited
  • 1993Nuevas investigaciones en la cueva de la Pasiega (Puente Viesgo, Cantabria)13 cited
  • 2021Arte paleolítico en Salamanca. Nuevos hallazgos en el yacimiento de El Paraje de La Salud12 cited
  • 2020Modelled clay animals in Aitzbitarte IV Cave: A unique Palaeolithic rock art site in the Cantabrian Region10 cited
  • 2009Nuevos grabados y pinturas en las cuevas del Monte del Castillo9 cited

Cited by

  • 2025El pasado en el presente. El arte rupestre en el arte contemporáneo0 cited
  • 2026Evolution and Uses of Rock Art Sites: Contribution of Morphogenic Mapping of Rock Walls

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