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Multi-Scale X-ray Imaging of the Pigment Discoloration Processes Triggered by Chlorine Compounds in the Upper Basilica of Saint Francis of Assisi
16 references·1 citing·37 second hop
Multi-Scale X-ray Imaging of the Pigment Discoloration Processes Triggered by Chlorine Compounds in the Upper Basilica of Saint Francis of Assisi (2023)Multi-Scale X-ray Imaging of the Pigment …The “Historical Materials BAG”: A New Facilitated Access to Synchrotron X-ray Diffraction Analyses for Cultural Heritage Materials at the European Synchrotron Radiation Facility (2022)The “Historical Materials BAG…Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Pigments — Mercury-based red …X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)X‐ray Diffraction Mapping for…Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings (2016)Visualization of As( iii ) an…Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues (2016)Analytical imaging studies of…Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Strategies for processing meg…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…SEM Backscattered-Electron Images of Paint Cross Sections as Information Source for the Presence of the Lead White Pigment and Lead-Related Degradation and Migration Phenomena in Oil Paintings (2011)SEM Backscattered-Electron Im…Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Optimization of mobile scanni…Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)Micro-analytical evidence of …Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Blackening of Pompeian Cinnab…Electrochemical and spectroscopic characterizations of patinas formed on an archaeological bronze coin (2005)Electrochemical and spectrosc…Analysis of red and yellow ochre samples from Clearwell Caves and Çatalhöyük by vibrational spectroscopy and other techniques (2004)Analysis of red and yellow oc…GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)GC-MS characterization of pro…Green degradation products of azurite in wall paintings: identification and conservation treatment (1998)Green degradation products of…Studies and Developments concerning the Problem of Altered Lead Pigments in Wall Painting (1990)Studies and Developments conc…Heritage research at the PUMA beamline (2024)Heritage research at the PUMA…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Morphology and mechanisms of formation of natural patinas on archaeological Cu–Sn alloys (1998)Raman spectroscopy of selected copper minerals of significance in corrosion (2003)Raman spectroscopy in art and archaeology (2006)Understanding corrosion of ancient metals for the conservation of cultural heritage (2009)The characterization of Sn‐based corrosion products in ancient bronzes: a Raman approach (2012)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)The Organic Chemistry of Museum Objects (1987)The Organic Chemistry of Museum Objects (1988)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)A GC-MS study on the deterioration of lipidic paint binders (2002)The binding media of the polychromy of Qin Shihuang's Terracotta Army (2008)Field Raman analysis to diagnose the conservation state of excavated walls and wall paintings in the archaeological site of Pompeii (Italy) (2012)Mass spectrometry with laser sampling: A new tool to characterize archaeological materials (2001)Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses (2015)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Applications of synchrotron X-ray nano-probes in the field of cultural heritage (2018)Pigments—Arsenic-based yellows and reds (2021)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)The Code of Kings: The Language of Seven Sacred Maya Temples and Tombs (1998)The Chinese neolithic: trajectories to early states (2006)Characterizing the pigments and paints of prehistoric artists (2021)Pigments—the palette of organic colourants in wall paintings (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain (2008)THE ORIGIN AND GEOCHEMICAL CHARACTERIZATION OF RED OCHRES FROM THE TITO BUSTILLO AND MONTE CASTILLO CAVES (NORTHERN SPAIN)* (2008)Pigments—Iron-based red, yellow, and brown ochres (2022)Identification of copper-based green pigments in Jaume Huguet's Gothic altarpieces by Fourier transform infrared microspectroscopy and synchrotron radiation X-ray diffraction (2002)A combined Raman microscopy, XRF and SEM–EDX study of three valuable objects – A large painted leather screen and two illuminated title pages in 17th century books of ordinances of the Worshipful Company of Barbers, London (2010)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)The ID21 X-ray and infrared microscopy beamline at the ESRF: status and recent applications to artistic materials (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)
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References

  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
  • 2011Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings188 cited
  • 2015Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus184 cited
  • 2005Electrochemical and spectroscopic characterizations of patinas formed on an archaeological bronze coin133 cited
  • 2000GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts107 cited
  • 2004Analysis of red and yellow ochre samples from Clearwell Caves and Çatalhöyük by vibrational spectroscopy and other techniques105 cited
  • 2021Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products86 cited
  • 2016Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues83 cited
  • 1998Green degradation products of azurite in wall paintings: identification and conservation treatment78 cited
  • 2009Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals76 cited
  • 1990Studies and Developments concerning the Problem of Altered Lead Pigments in Wall Painting67 cited
  • 2022

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The “Historical Materials BAG”: A New Facilitated Access to Synchrotron X-ray Diffraction Analyses for Cultural Heritage Materials at the European Synchrotron Radiation Facility
64 cited
  • 2016Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings64 cited
  • 2011SEM Backscattered-Electron Images of Paint Cross Sections as Information Source for the Presence of the Lead White Pigment and Lead-Related Degradation and Migration Phenomena in Oil Paintings63 cited
  • 2019X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications54 cited
  • Cited by

    • 2024Heritage research at the PUMA beamline10 cited