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Stifled, invisible, and threatened: cultural appropriation in K-pop through the lens of identity-negotiating fans of color
16 references·0 citing·43 second hop
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References

  • 2008Sampling Knowledge: The Hermeneutics of Snowball Sampling in Qualitative Research3,365 cited
  • 1987Problems in Current Theories of Colonial Discourse702 cited
  • 2006From Cultural Exchange to Transculturation: A Review and Reconceptualization of Cultural Appropriation469 cited
  • 2006Media on the Move212 cited
  • 2009Globalization, or the logic of cultural hybridization: the case of the Korean wave203 cited
  • 2008QUALITATIVE RESEARCH METHODS: A COMPARISON BETWEEN FOCUS-GROUP AND IN-DEPTH INTERVIEW155 cited
  • 2012What Is the K in K-pop? South Korean Popular Music, the Culture Industry, and National Identity138 cited
  • 2010Korean Masculinities and Transcultural Consumption128 cited
  • 2017"Yes, the Evil Queen is Latina!": Racial dynamics of online femslash fandoms109 cited
  • 2002The Cultural Processes of “Appropriation”77 cited
  • 2012Fan activism, cybervigilantism, and Othering mechanisms in K-pop fandom60 cited
  • 2014K-Pop nationalism: Celebrities and acting blackface in the Korean media47 cited
  • 2009Media as Social Accountability27 cited
  • 2017Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop26 cited
  • 201619 Hybrid Hallyu: The African American Music Tradition in K-Pop

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18 cited
  • 2014Youth, Social Media and Transnational Cultural Distribution: The Case of Online K-pop Circulation11 cited
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