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In the first issue of this journal, Cass Sunstein offered a behaviouralist reading of the Beatles’ audience. He suggested that the band became a worldwide sensation based on the spread of endorsements by Beatles people acting in line with behavioural norms, such as trust in others’ aesthetic judgements and a need to be liked. This article aims to critically analyse Sunstein’s work by looking at the data sources he used, assessing the applicability of his claims, and considering the ideological effects of what I call a romantic behaviouralist approach. Alongside Sunstein’s ideas, a neo-Durk-heimian reading is suggested to account for interesting regularities of fan behaviour. My aim is not to discredit the mechanisms of human behaviour discussed by Professor Sunstein, but to question the grounding assumptions behind a behavioural approach to popular culture history, and suggest that the application of some proposed behavioural mechanisms might be limited by other elements at play. This article was published open access under a CC BY licence: https://creativecommons.org/licences/by/4.0 .
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Stored only when both papers are in the corpus — 2 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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