SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Reflections on Cass Sunstein’s Beatlemania article: romantic behaviouralism?
16 references·0 citing·35 second hop
Reflections on Cass Sunstein’s Beatlemania article: romantic behaviouralism? (2023)Reflections on Cass Sunstein’s Beatlemani…Keep it Simple, Make it Fast! An approach to underground music scenes (2022)Keep it Simple, Make it Fast!…Beatleness: How the Beatles and Their Fans Remade the World (2015)Beatleness: How the Beatles a…Understanding Fandom (2013)Understanding FandomOut of the Vinyl Deeps: Ellen Willis on Rock Music (2011)Out of the Vinyl Deeps: Ellen…Critique and Renewal in the Sociology of Music: Bourdieu and Beyond (2011)Critique and Renewal in the S…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…The Elementary Forms of Religious Life (2009)The Elementary Forms of Relig…Leading the Herd Astray: An Experimental Study of Self-fulfilling Prophecies in an Artificial Cultural Market (2008)Leading the Herd Astray: An E…Fandom: identities and communities in a mediated world (2008)Fandom: identities and commun…Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Experimental Study of Inequal…Between Montmartre and the Mudd Club (2002)Between Montmartre and the Mu…The Beatles as musicians: Revolver through the Anthology (1999)The Beatles as musicians: Rev…Performing Rites: Evaluating Popular Music (1998)Performing Rites: Evaluating …My Music: Explorations of Music in Daily Life (1993)My Music: Explorations of Mus…Distinction. A Social Critique of the Judgement of Taste (1985)Distinction. A Social Critiqu…Twilight of the Gods: The Music of the Beatles (1975)Twilight of the Gods: The Mus…Rank Correlation Methods. (1957)Foundations of social theory (1990)Social Influence: Compliance and Conformity (2004)The False Enforcement of Unpopular Norms (2009)How Online Product Reviews Affect Retail Sales: A Meta-analysis (2014)Complementarity of Signals in Early-Stage Equity Investment Decisions: Evidence from a Randomized Field Experiment (2017)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Cumulative Advantage as a Mechanism for Inequality: A Review of Theoretical and Empirical Developments (2006)The Economics of Superstars (2009)A 61-million-person experiment in social influence and political mobilization (2012)The spread of low-credibility content by social bots (2018)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)The Moral Significance of Class (2005)(Ac)cumulative Form in Pop-Rock Music (2004)Subverting the Verse–Chorus Paradigm (2013)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)Politicising fandom (2017)Theorizing Development of Parasocial Engagement (2018)An emergent algorithmic culture: The data-ization of online fandom in China (2020)Storytelling Neighborhood (2001)Values of souvenirs as commodities (2014)Schooling as a Formative Political Experience: Authority Relations and the Education of Citizens (2018)The Neighborhood in Cultural Production: Material and Symbolic Resources in the New Bohemia (2004)The economy of live music in the digital age (2010)Marshall Winslow Stearns and the Politics of Jazz Historiography (2012)After Adorno : rethinking music sociology (2003)Key themes in media theory (2007)Space-form and the acousmatic image (2007)Female Fandom: Identity, Sexism, and Men’s Professional Football in England (2008)From Mediatized Emotion to Digital Affect Cultures: New Technologies and Global Flows of Emotion (2018)Reaching audiences through travel vlogs: The perspective of involvement (2021)
this work references cited by second hop

References

  • 1985Distinction. A Social Critique of the Judgement of Taste4,442 cited
  • 2006Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market2,174 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2008Fandom: identities and communities in a mediated world544 cited
  • 2009The Elementary Forms of Religious Life515 cited
  • 2013Understanding Fandom391 cited
  • 2008Leading the Herd Astray: An Experimental Study of Self-fulfilling Prophecies in an Artificial Cultural Market293 cited
  • 1998Performing Rites: Evaluating Popular Music287 cited
  • 1999The Beatles as musicians: Revolver through the Anthology205 cited
  • 2002Between Montmartre and the Mudd Club192 cited
  • 2011Critique and Renewal in the Sociology of Music: Bourdieu and Beyond139 cited
  • 1975Twilight of the Gods: The Music of the Beatles116 cited
  • 1993My Music: Explorations of Music in Daily Life52 cited
  • 2015Beatleness: How the Beatles and Their Fans Remade the World50 cited
  • 2022Keep it Simple, Make it Fast! An approach to underground music scenes41 cited
  • 2011Out of the Vinyl Deeps: Ellen Willis on Rock Music

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

31 cited

Cited by

No citing works inside the corpus for this window.