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“Both Sides Now”: Folk-Rock Authorship, Interpretation, and the Cover Version
16 references·0 citing·31 second hop
“Both Sides Now”: Folk-Rock Authorship, Interpretation, and the Cover Version (2023)“Both Sides Now”: Folk-Rock Authorship, I…Categorizing Sound (2016)Categorizing SoundThe Only Black Man at the Party: Joni Mitchell Enters the Rock Canon (2012)The Only Black Man at the Par…Authenticity Revisited: The Rock Critic and the Changing Real (2010)Authenticity Revisited: The R…How the Beatles destroyed rock 'n' roll: an alternative history of American popular music (2009)How the Beatles destroyed roc…White Bicycles: Making Music in the 1960s (2006)White Bicycles: Making Music …Steal This Music: How Intellectual Property Law Affects Musical Creativity (2006)Steal This Music: How Intelle…Re‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music (2005)Re‐flections on the Cover Age…Electric Folk (2005)Electric FolkReconsidering rock (2001)Reconsidering rockKey terms in popular music and culture (2000)Key terms in popular music an…Masculinity and skill acquisition in the adolescent rock band (1999)Masculinity and skill acquisi…Key concepts in popular music (1998)Key concepts in popular musicMapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Mapping the Margins: Intersec…‘The magic that can set you free’: the ideology of folk and the myth of the rock community (1981)‘The magic that can set you f…Mystery Train: Images of America in Rock 'n' Roll Music (1977)Mystery Train: Images of Amer…Any Old Way You Choose It: Rock and Other Pop Music 1967-1973 (1973)Any Old Way You Choose It: Ro…Distinction: A Social Critique of the Judgement of Taste. (1985)The Black Atlantic: Modernity and Double Consciousness (1994)New Economy of Fandom (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Popular music in geographical analyses (1995)Re-examining the concept of the ‘independent’ record company: the case of Wax Trax! records (1995)Why does country music sound white? Race and the voice of nostalgia (2007)Subcultural identity in alternative music culture (1993)Consolidating the music scenes perspective (2004)Media Populism: A Conceptual Clarification and Some Theses on its Effects (2014)Critical Race Methodology: Counter-Storytelling as an Analytical Framework for Education Research (2002)The Complexity of Intersectionality (2005)Whose culture has capital? A critical race theory discussion of community cultural wealth (2005)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)SoundCloud and Bandcamp as Alternative Music Platforms (2019)Music as a Technology of Surveillance (2018)Organizing music, organizing gender: algorithmic culture and Spotify recommendations (2020)The Transatlantic Sixties : Europe and the United States in the Counterculture Decade (2013)Improvisation and Social Aesthetics (2017)Social Dance in the Age of (Anti-)Social Media (2019)Sharing music files: Tactics of a challenge to the industry (2010)Theoretical Approaches to Quotation in Hip-Hop Recordings (2014)Remix’s retreat? Content moderation, copyright law and mashup music (2021)Language choice and hip hop in Tanzania and Malawi (2000)Academic publishing as ‘creative’ industry, and recent discourses of ‘creative economies’: some critical reflections (2004)The many ways of community music (2007)‘Loaded’: indie guitar rock, canonism, white masculinities (2006)Ethno-National Pop-Rock Music (2007)Claiming Space: Discourses on Gender, Popular Music, and Social Change (2011)
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References

  • 1991Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color29,736 cited
  • 1977Mystery Train: Images of America in Rock 'n' Roll Music255 cited
  • 1981‘The magic that can set you free’: the ideology of folk and the myth of the rock community243 cited
  • 2016Categorizing Sound206 cited
  • 2006Steal This Music: How Intellectual Property Law Affects Musical Creativity159 cited
  • 2000Key terms in popular music and culture152 cited
  • 2001Reconsidering rock144 cited
  • 2010Authenticity Revisited: The Rock Critic and the Changing Real125 cited
  • 1998Key concepts in popular music119 cited
  • 2009How the Beatles destroyed rock 'n' roll: an alternative history of American popular music114 cited
  • 1999Masculinity and skill acquisition in the adolescent rock band113 cited
  • 2006White Bicycles: Making Music in the 1960s95 cited
  • 2005Electric Folk84 cited
  • 2005Re‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music72 cited
  • 1973Any Old Way You Choose It: Rock and Other Pop Music 1967-197372 cited
  • 2012The Only Black Man at the Party: Joni Mitchell Enters the Rock Canon

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