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Carnivalesque communities: Thai TV dramas and the Chinese censorship
16 references·1 citing·46 second hop
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References

  • 1985Watching Dallas: Soap Opera and the Melodramatic Imagination1,556 cited
  • 2004Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas174 cited
  • 2018The Routledge Handbook of Audiovisual Translation174 cited
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  • 2012Girls who love boys' love: Japanese homoerotic manga as trans-national Taiwan culture70 cited
  • 2017Chinese Danmei Fandom and Cultural Globalization from Below52 cited
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  • 2019Lovesick, The Series: adapting Japanese ‘Boys Love’ to Thailand and the creation of a new genre of queer media51 cited
  • 2021Between ironic pleasure and exotic nostalgia: audience reception of Thai television dramas among youth in China42 cited
  • 2011Of prince charming and male chauvinist pigs: Singaporean female viewers and the dream-world of Korean television dramas23 cited
  • 2021

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Labour of Love: Fan Labour, BTS, and South Korean Soft Power
22 cited
  • 2016Borderless Fandom and Contemporary Popular Cultural Scene in Chinese Cyberspace22 cited
  • Cited by

    • 2024Underwater carnival: explaining how Thai boys’ love drama series “sneak” into Chinese media cyberspace4 cited