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Melting the Archive: The Irreconcilable Cover Song and Rock’s Recorded History
16 references·0 citing·32 second hop
Melting the Archive: The Irreconcilable Cover Song and Rock’s Recorded History (2023)Melting the Archive: The Irreconcilable C…Appreciating Cover Songs: Stereophony (2016)Appreciating Cover Songs: Ste…A Philosophy of Song and Singing: An Introduction (2015)A Philosophy of Song and Sing…Covers and (Mere?) Remakes: A Reply to Lee B. Brown (2014)Covers and (Mere?) Remakes: A…A Critique of Michael Rings on Covers (2014)A Critique of Michael Rings o…Judging Covers (2013)Judging CoversDoing It Their Way: Rock Covers, Genre, and Appreciation (2013)Doing It Their Way: Rock Cove…Play it again: cover songs in popular music (2010)Play it again: cover songs in…Intention in Interpretation (2009)Intention in InterpretationCover Songs: Ambiguity, Multivalence, Polysemy (2008)Cover Songs: Ambiguity, Multi…Making Tracks: The Ontology of Rock Music (2006)Making Tracks: The Ontology o…Introduction to a Philosophy of Music (2002)Introduction to a Philosophy …The Intentional Fallacy: Defending Myself (1997)The Intentional Fallacy: Defe…Beyond the Brillo Box: The Visual Arts in a Post-Historical Perspective (1993)Beyond the Brillo Box: The Vi…The Transfiguration of the Commonplace, a Philosophy of Art (1981)The Transfiguration of the Co…Art and the Aesthetic: An Institutional Analysis (1975)Art and the Aesthetic: An Ins…The Artworld (1964)The ArtworldLanguages of Art: An Approach to a Theory of Symbols. (1979)Rhythm and Noise: An Aesthetics of Rock (1996)I Did It My Way: Rock and the Logic of Covers (2010)All Play and No Work: An Ontology of Jazz (2011)Descriptivism and Its Discontents (2017)Naming and Necessity (1972)Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys (2003)Re‐flections on the Cover Age: A Collage of Continuous Coverage in Popular Music (2005)Mashing (2013)‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’ (2014)Intention, history, and artifact concepts (1996)The German Aesthetic Tradition (2002)The artist and the brand (2005)Pat Boone’s last laugh: Cover versions and the performance of knowledge (2017)Choreography Invisible (2020)A Philosophy of Cover Songs (2022)The Fabrication of Meaning: Literary Interpretation in the United States, Great Britain, and the West Indies (1987)Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments (2009)The Conceptual mind: new directions in the study of concepts (2016)Can Machines Create Art? (2016)The Pleasure of Art (2017)Games (2020)Listening to love (2022)Negotiating girlhood in rock music: Nandi Bushell, prodigy discourse and adult mentor-fans (2023)Singularities (2024)Musical Understandings and Other Essays on the Philosophy of Music (2011)Musical improvisation skill in a prospective partner is associated with mate value and preferences, consistent with sexual selection and parental investment theory: Implications for the origin of music (2017)“You Can't Win, Child, but You Can't Get Out of the Game”: Michael Jackson's Transition from Child Star to Superstar (2012)Adaptation in the Age of Media Convergence (2019)Aesthetics, Ideologies and the Limits of the Marketing Concept (1983)Vogel's Net (1996)Changing Landscapes: The Construction of Meaning and Value in a New Market Category—Modern Indian Art (2010)
this work references cited by second hop

References

  • 1964The Artworld993 cited
  • 1981The Transfiguration of the Commonplace, a Philosophy of Art499 cited
  • 1975Art and the Aesthetic: An Institutional Analysis436 cited
  • 2002Introduction to a Philosophy of Music307 cited
  • 1993Beyond the Brillo Box: The Visual Arts in a Post-Historical Perspective230 cited
  • 2006Making Tracks: The Ontology of Rock Music121 cited
  • 2013Doing It Their Way: Rock Covers, Genre, and Appreciation47 cited
  • 2010Play it again: cover songs in popular music44 cited
  • 2015A Philosophy of Song and Singing: An Introduction41 cited
  • 2008Cover Songs: Ambiguity, Multivalence, Polysemy39 cited
  • 1997The Intentional Fallacy: Defending Myself34 cited
  • 2009Intention in Interpretation29 cited
  • 2013Judging Covers19 cited
  • 2016Appreciating Cover Songs: Stereophony16 cited
  • 2014A Critique of Michael Rings on Covers10 cited
  • 2014Covers and (Mere?) Remakes: A Reply to Lee B. Brown8 cited

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