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Recovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study
9 references·2 citing·41 second hop
Recovering the intangible acoustic heritage of rock art sites: El Tajo de las Figuras as a case study (2023)Recovering the intangible acoustic herita…The Bacinete Main Shelter: A Prehistoric Theatre? (2023)The Bacinete Main Shelter: A …The Soundscapes of the Lower Chuya River Area, Russian Altai: Ethnographic Sources, Indigenous Ontologies and the Archaeoacoustics of Rock Art Sites (2022)The Soundscapes of the Lower …The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain) (2022)The Acoustics of Aggregation …Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered (2019)Prehistoric Bird Watching in …The function of graphic signs in prehistoric societies: The case of Cantabrian quadrilateral signs (2017)The function of graphic signs…Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response (2017)Cave acoustics in prehistory:…The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain) (2014)The Sound of Rock Art. The Ac…Managing Rock Art Sites (2012)Managing Rock Art SitesAcoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain) (2012)Acoustics and Levantine rock …Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art (2026)Auditory Affordances of Game …On the relationship between sound, acoustics, and San rock art: An archaeoacoustic study at twenty-seven sites in the Maloti-Drakensberg mountains (South Africa) (2024)On the relationship between s…Handbook of rock art research (2001)Inscribed landscapes: marking and making place (2003)New flutes document the earliest musical tradition in southwestern Germany (2009)Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound (2018)Sound Archaeology: A Study of the Acoustics of Three World Heritage Sites, Spanish Prehistoric Painted Caves, Stonehenge, and Paphos Theatre (2019)The vandalism of the Domboshava rock painting site, Zimbabwe: Some reflections on approaches to heritage management (2003)Preserving Archaeological Remains in Situ (2017)Towards a holistic approach to heritage values: a multidisciplinary and cosmopolitan approach (2019)Rock Art Conservation with a Focus on Southern Africa (2022)Operational Guidelines for the Implementation of the World Heritage Convention (2023)The Identification of Prehistoric Hunter-Gatherer Aggregation Sites: The Case of Altamira [and Comments and Reply] (1980)La dimension sonore des grottes ornées (1988)Archaeologies of art : time, place, and identity (2008)Archaeoacoustics of intangible cultural heritage: The sound of the Maior Ecclesia of Cluny (2016)Acoustic Measurements and Digital Image Processing Suggest a Link Between Sound Rituals and Sacred Sites in Northern Finland (2017)Do You Hear What I See? Analyzing Visibility and Audibility in the Rock Art Landscape of the Alicante Mountains of Spain (2017)Ritual and Religion in the Making of Humanity (1999)Worlds Apart: Modernity Through the Prism of the Local (2003)A Howiesons Poort tradition of engraving ostrich eggshell containers dated to 60,000 years ago at Diepkloof Rock Shelter, South Africa (2010)Still no archaeological evidence that Neanderthals created Iberian cave art (2019)АНТРОПОМОРФНЫЕ ПЕРСОНАЖИ В РАННЕМ ПЛАСТЕ ПЕТРОГЛИФОВ МИНУСИНСКОЙ КОТЛОВИНЫ (2019)ВЕРХНЕПАЛЕОЛИТИЧЕСКИЕ НЕФИГУРАТИВНЫЕ МОТИВЫ В ПЕЩЕРАХ УРАЛА И ЗАПАДНОЙ ЕВРОПЫ (2019)U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)Cross-Modality Information Transfer: A Hypothesis about the Relationship among Prehistoric Cave Paintings, Symbolic Thinking, and the Emergence of Language (2018)Rock Paintings of Southern Andalusia: a Description of a Neolithic and Copper Age Art Group (1930)Rock Art as Social Representation (2010)Archaeo-Ornithology: Towards an Archaeology of Human-Bird Interfaces (2019)A Phenomenology of Landscape: Places, Paths and Monuments (1994)Cosmological Deixis and Amerindian Perspectivism (1998)The Oxford Handbook of the Archaeology and Anthropology of Rock Art (2017)Acoustic perception and emotion evocation by rock art soundscapes of Altai (Russia) (2023)Archaeoacoustics around the World: A Literature Review (2016–2022) (2023)Population Growth: Anthropological Implications. (1973)The Lifeways of Hunter-Gatherers (2013)Performance theory: a growing interest in rock art research (2022)The !Kung San: Men, Women, and Work in a Foraging Society (1982)Tricksters and trancers: Bushman religion and society (2000)Encyclopedia of Global Archaeology (2020)From Questions to Inferences: Methodological Principles for the Use of Experimental Archaeology in Rock Art Research (2025)Music and Storytelling at Rock Art Sites? The Archaeoacoustics of the Urkosh Area (Russian Altai) (2023)Psychoacoustics of rock art sites: the case study of the shelters Diosa I and Horadada (Cádiz, Spain) (2023)
this work references cited by second hop

References

  • 2017Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response65 cited
  • 2012Acoustics and Levantine rock art: auditory perceptions in La Valltorta Gorge (Spain)61 cited
  • 2017The function of graphic signs in prehistoric societies: The case of Cantabrian quadrilateral signs54 cited
  • 2022The Acoustics of Aggregation Sites: Listening to the Rock Art Landscape of Cuevas de la Araña (Spain)23 cited
  • 2014The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain)15 cited
  • 2022The Soundscapes of the Lower Chuya River Area, Russian Altai: Ethnographic Sources, Indigenous Ontologies and the Archaeoacoustics of Rock Art Sites15 cited
  • 2023The Bacinete Main Shelter: A Prehistoric Theatre?13 cited
  • 2012Managing Rock Art Sites6 cited
  • 2019Prehistoric Bird Watching in Southern Iberia? The Rock Art of Tajo de las Figuras Reconsidered5 cited

Cited by

  • 2024On the relationship between sound, acoustics, and San rock art: An archaeoacoustic study at twenty-seven sites in the Maloti-Drakensberg mountains (South Africa)2 cited
  • 2026Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art0 cited

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