SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
IN/ACTive: A Distance-Technology-Mediated Stage for Performer-Audience Telepresence and Environmental Control
9 references·3 citing·44 second hop
IN/ACTive: A Distance-Technology-Mediated Stage for Performer-Audience Telepresence and Environmental Control (2023)IN/ACTive: A Distance-Technology-Mediated…Universal Access in Human-Computer Interaction (2023)Universal Access in Human-Com…The Body Beyond Movement: (Missed) Opportunities to Engage with Contemporary Dance in HCI (2021)The Body Beyond Movement: (Mi…RCO : Investigating Social and Technological Constraints through Interactive Dance (2021)RCO : Investigating Social an…Dance and Choreography in HCI: A Two-Decade Retrospective (2021)Dance and Choreography in HCI…The audience as artist? The audience’s experience of participatory music (2019)The audience as artist? The a…Making an Interactive Dance Piece (2019)Making an Interactive Dance P…Live Streaming as Co-Performance (2019)Live Streaming as Co-Performa…Dance, Interactive Technology, and the Device Paradigm (2013)Dance, Interactive Technology…Movement-based interactive dance performance (2006)Movement-based interactive da…"It's Like Being On Stage": Conveying Dancers' Expressiveness Through A Haptic-Installed Contemporary Dance Performance (2025)"It's Like Being On Stage": C…"Becoming My Own Audience": How Dancers React to Avatars Unlike Themselves in Motion Capture-Supported Live Improvisational Performance. (2025)"Becoming My Own Audience": H…THE PRESENT IS IN THE FUTURE: Participatory Generative AI Co-Created Visions as Intangible Cultural Heritage (2024)THE PRESENT IS IN THE FUTURE:…Poetry, Language, Thought (1972)The Question Concerning Technology, and Other Essays (1977)Technology and the Character of Contemporary Life: A Philosophical Inquiry. (1986)Performing with robots: embodiment, context and vulnerability relations (2015)Project Trans(m)it: creating dance collaboratively via technology – a best practices overview (2017)Devising Interactive Theatre (2019)Foundations of Music History (1983)Musicking: the meanings of performing and listening (1999)Music as social life: the politics of participation (2009)In Defence of the Familiar: Understanding Conservatism in Concert Selection Amongst Classical Music Audiences (2020)New Possibilities in Cultural Consumption. The Effect of the Global Pandemic on Listening to Music (2021)The effects of concert formats on classical concertgoers (2025)The Reflective Practitioner: How Professionals Think in Action (1985)Entangled: technology and the transformation of performance (2010)Du mode d’existence des objets techniques (2013)Ethics in Movement (2020)A Plurality of Practices: Artistic Narratives in HCI Research (2021)Layers of Silence, Arenas of Voice: The Ecology of Visible and Invisible Work (1999)Using thematic analysis in psychology (2006)Social motivations of live-streaming viewer engagement on Twitch (2018)Beyond Entertainment: Unpacking Danmaku and Comments' Role of Information Sharing and Sentiment Expression in Online Crisis Videos (2021)More Kawaii than a Real-Person Live Streamer: Understanding How the Otaku Community Engages with and Perceives Virtual YouTubers (2021)Predictors of parasocial interaction and relationships in live streaming (2021)Digital Performance (2007)Throwaway Citation of Prior Work Creates Risk of Bad HCI Research (2017)Embracing the messy and situated practice of dance technology design (2023)Being and Time (1927)Phenomenology of Perception. (1964)Phenomenology of Perception (1982)Designing in Conversation With Dance Practice (2023)Here and Now: Creating Improvisational Dance Movements with a Mixed Reality Mirror (2023)Literature Reviews in HCI: A Review of Reviews (2023)What is an adequate sample size? Operationalising data saturation for theory-based interview studies (2009)Applied Thematic Analysis (2012)Artificial hells: participatory art and the politics of spectatorship (2013)"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms (2023)The Use of Think-aloud Methods in Qualitative Research An Introduction to Think-aloud Methods (2003)The Coding Manual for Qualitative Researchers (2022)Exploring the design space in technology-augmented dance (2010)Temporal integration of interactive technology in dance (2011)Linking Audience Physiology to Choreography (2022)A meta-analysis of the impact of the inclusion and realism of human-like faces on user experiences in interfaces (2007)Dynamically adapted context-specific hyper-articulation: Feedback from interlocutors affects speakers’ subsequent pronunciations (2016)Wearable, Environmental, and Smartphone-Based Passive Sensing for Mental Health Monitoring (2021)
this work references cited by second hop

References

  • 2023Universal Access in Human-Computer Interaction133 cited
  • 2019The audience as artist? The audience’s experience of participatory music120 cited
  • 2019Making an Interactive Dance Piece107 cited
  • 2021Dance and Choreography in HCI: A Two-Decade Retrospective75 cited
  • 2006Movement-based interactive dance performance59 cited
  • 2019Live Streaming as Co-Performance45 cited
  • 2013Dance, Interactive Technology, and the Device Paradigm22 cited
  • 2021RCO : Investigating Social and Technological Constraints through Interactive Dance22 cited
  • 2021The Body Beyond Movement: (Missed) Opportunities to Engage with Contemporary Dance in HCI21 cited

Cited by

  • 2025"Becoming My Own Audience": How Dancers React to Avatars Unlike Themselves in Motion Capture-Supported Live Improvisational Performance.18 cited
  • 2025"It's Like Being On Stage": Conveying Dancers' Expressiveness Through A Haptic-Installed Contemporary Dance Performance15 cited
  • 2024THE PRESENT IS IN THE FUTURE: Participatory Generative AI Co-Created Visions as Intangible Cultural Heritage13 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work