RCO : Investigating Social and Technological Constraints through Interactive Dance

Sarah Fdili Alaoui · Jean-Marc Matos

22 citations0/0 files storedCHI Conference on Human Factors in Computing Systems

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Art, Technology, and Culture Theatre and Performance Studies Innovative Human-Technology Interaction

Abstract

We describe the research led by the performance Radical Choreographic Object (RCO). RCO is a participatory performance where the audience members respond to instructions and interactions sent to their mobile phones as well as invitations to dance from the performers.

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References

2012Applied Thematic Analysis 2009What is an adequate sample size? Operationalising data saturation for theory-based interview studies 2013Artificial hells: participatory art and the politics of spectatorship 2005What things do: philosophical reflections on technology, agency, and design 2008Le spectateur émancipé 2013Pensées rebelles 2007The cell phone: an anthropology of communication 2013Performance-Led Research in the Wild

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2023"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms 2023IN/ACTive: A Distance-Technology-Mediated Stage for Performer-Audience Telepresence and Environmental Control 2025"Becoming My Own Audience": How Dancers React to Avatars Unlike Themselves in Motion Capture-Supported Live Improvisational Performance.2025"It's Like Being On Stage": Conveying Dancers' Expressiveness Through A Haptic-Installed Contemporary Dance Performance

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