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RCO : Investigating Social and Technological Constraints through Interactive Dance
15 references·4 citing·41 second hop
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References

  • 2012Applied Thematic Analysis7,919 cited
  • 2009What is an adequate sample size? Operationalising data saturation for theory-based interview studies3,421 cited
  • 2013Artificial hells: participatory art and the politics of spectatorship1,835 cited
  • 2005What things do: philosophical reflections on technology, agency, and design1,059 cited
  • 2008Le spectateur émancipé880 cited
  • 2013Pensées rebelles598 cited
  • 2007The cell phone: an anthropology of communication169 cited
  • 2013Performance-Led Research in the Wild160 cited
  • 2019Making an Interactive Dance Piece107 cited
  • 2014Understanding audience participation in an interactive theater performance81 cited
  • 2015Interactive Visuals as Metaphors for Dance Movement Qualities50 cited
  • 2013Re-sensitising the body: interactive art and the Feldenkrais method47 cited
  • 2014Software takes command47 cited
  • 2012Bodies in critique32 cited
  • 2017Portable Objects in Three Global Cities: The Personalization of Urban Places32 cited

Cited by

  • 2023"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance Paradigms

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19 cited
  • 2023IN/ACTive: A Distance-Technology-Mediated Stage for Performer-Audience Telepresence and Environmental Control19 cited
  • 2025"Becoming My Own Audience": How Dancers React to Avatars Unlike Themselves in Motion Capture-Supported Live Improvisational Performance.18 cited
  • 2025"It's Like Being On Stage": Conveying Dancers' Expressiveness Through A Haptic-Installed Contemporary Dance Performance15 cited