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Roman Britain in Colour – Roman Altars from Hadrian's Wall Reimagined
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References

  • 1986The Past is a Foreign Country3,632 cited
  • 2011Museum Materialities: Objects, Engagements, Interpretations221 cited
  • 2019The Routledge Handbook of Sensory Archaeology111 cited
  • 2018I am Ashurbanipal, King of the World, King of Assyria57 cited
  • 1999Prayers in Stone43 cited
  • 2022Looking to Read: How Visitors Use Exhibit Labels in the Art Museum34 cited
  • 2009THE IMPORTANCE OF COLOUR ON ANCIENT MARBLE SCULPTURE34 cited
  • 2020Painting in Stone: Architecture and the Poetics of Marble from Antiquity to the Enlightenment32 cited
  • 2017Britannia Romana: Roman Inscriptions and Roman Britain31 cited
  • 2016Color Perception in Sociology26 cited
  • 2023Exploring Digital Means to Engage Visitors with Roman Culture: Virtual Reality vs. Tangible Interaction25 cited
  • 2020Polychromy on the Antonine Wall Distance Sculptures: Non-destructive Identification of Pigments on Roman Reliefs21 cited
  • 2018Evaluating emotional engagement in digital stories for interpreting the past. The case of the Hunterian Museum’s Antonine Wall EMOTIVE experiences20 cited
  • 2014RECONSTRUCTION ART AND DISCIPLINARY PRACTICE: ALAN SORRELL AND THE NEGOTIATION OF THE ARCHAEOLOGICAL RECORD15 cited
  • 1984The Jorvik Viking Centre An experiment in archaeological site interpretation

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  • 2023Polychromy in Ancient Greek Sculpture: New Scientific Research on an Attic Funerary Stele at the Metropolitan Museum of Art11 cited
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