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Musical taste preferences in Chinese hip‐hop: Between cultural openness and the rejection of vulgarity
16 references·3 citing·38 second hop
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References

  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2000Music in Everyday Life2,710 cited
  • 2009Culture, Class, Distinction1,370 cited
  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America736 cited
  • 2006Suzhi : A Keyword Approach523 cited
  • 2007Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing519 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 2003Global noise - Rap and Hip-Hop outside the USA374 cited
  • 2002The 'Hood Comes First368 cited
  • 2000Consumer Revolution in Urban China362 cited
  • 2006Hip-Hop Japan310 cited
  • 2008Modes of openness to cultural diversity: Humanist, populist, practical, and indifferent259 cited
  • 2014Pop-rock music: aesthetic cosmopolitanism in late modernity181 cited
  • 2013From degendering to (re)gendering the self: Chinese youth negotiating modern womanhood161 cited
  • 2010The Evaluation of Popular Music in the United States, Germany and the Netherlands: A Comparison of the Use of High Art and Popular Aesthetic Criteria

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97 cited

Cited by

  • 2024Musical Preferences among Students Aged 9–19: A Study on Musical Genres and Styles6 cited
  • 2024Reconfiguring “Heritage hip-hop” From the scenes: Rightful youth rebellion and localised authenticity in the Huxiang Flow5 cited
  • 2025Preserving cultural identity: strategies for integrating national musical heritage into global music platforms3 cited