SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Emotion and composition in classical music: historiometric Perspectives
0 references·3 citing·16 second hopsampled
Emotion and composition in classical music: historiometric Perspectives (2001)Emotion and composition in classical musi…Gender differences in the meanings consumers infer from music and other aesthetic stimuli (2010)Gender differences in the mea…The Elusive Muse: Understanding Musical Giftedness (2009)The Elusive Muse: Understandi…Distinguishing between the Meanings of Music: When Background Music Affects Product Perceptions (2005)Distinguishing between the Me…The Efficient Assessment of Need for Cognition (1984)Communication and Persuasion (1986)Aesthetic principles and cognitive emotion appraisals: How much of the beauty lies in the eye of the beholder? (2010)Feminine to smell but masculine to touch? Multisensory congruence and its effect on the aesthetic experience (2010)Revisiting gender differences: What we know and what lies ahead (2014)Communication and Persuasion: Central and Peripheral Routes to Attitude Change (2015)The Effect of Cultural Orientation on Persuasion (1997)Analysing Musical Multimedia (1998)Fear and Loving in Las Vegas: Evolution, Emotion, and Persuasion (2009)Sounds Big: The Effects of Acoustic Pitch on Product Perceptions (2016)Frames of Mind: The Theory of Multiple Intelligences (1984)The role of deliberate practice in the acquisition of expert performance. (1993)THE PSYCHOLOGY OF PERSONAL CONSTRUCTS (2010)Cultural Variation and Dominance in a Globalised Knowledge-Economy: Towards a Culture-Sensitive Research Paradigm in the Science of Giftedness (2012)Teachers’ concepts of musical talent and nurturing musical ability: music learning as exclusive or as opportunity for all? (2014)Talent development in Chinese and Swiss music students (2017)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

No references inside the corpus for this window.

Cited by

  • 2005Distinguishing between the Meanings of Music: When Background Music Affects Product Perceptions150 cited
  • 2010Gender differences in the meanings consumers infer from music and other aesthetic stimuli139 cited
  • 2009The Elusive Muse: Understanding Musical Giftedness20 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work