Echumann’s Eichendorff Liederkreil and the Genre of the Romantic Cycle

David S. Ferris

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Musicology and Musical Analysis German Literature and Culture Studies Literature, Musicology, and Cultural Analysis

Abstract

Abstract This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms.

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2014Form, Diversity, and Lack of Fulfillment in the First Movement of Schumann’sFantasieop. 17 2004Keynote Address, Twenty-Sixth Annual SMT Conference 2021Romanticism and the Ideal of Song 2006Lieder

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