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Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers
9 references·0 citing·30 second hop
Copyright Management and its Effect on the Sampling Practice of UK Dance Music Producers (2013)Copyright Management and its Effect on th…Creative License: The Law and Culture of Digital Sampling (2012)Creative License: The Law and…AUTHORSHIP OF POPULAR MUSIC IN UK COPYRIGHT LAW (2009)AUTHORSHIP OF POPULAR MUSIC I…Making beats: the art of sample-based hip-hop (2005)Making beats: the art of samp…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…2 The History and Philosophy of Copyright (2004)2 The History and Philosophy …Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Bl…Case Study Research: Design and Methods (1991)Case Study Research: Design a…All you need to know about the music business (1991)All you need to know about th…The Senses Considered as Perceptual Systems (1969)The Senses Considered as Perc…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Rhythm and Noise: An Aesthetics of Rock (1996)Background Noise: Perspectives on Sound Art (2006)Who wrote Duke Ellington’s music? Authorship and collective creativity in ‘Mood Indigo’ (2015)Distributed Ownership in Music (2017)Copyright and Collective Authorship: Locating the Authors of Collaborative Work (2019)Intellectual Property Strategy and the Long Tail: Evidence from the Recorded Music Industry (2014)Can't nobody tell me nothin’: ‘Old Town Road’, resisting musical norms, and queer remix reproduction (2021)Music from Aleppo during the Syrian War (2023)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Theory Building From Cases: Opportunities And Challenges (2007)Document Analysis as a Qualitative Research Method (2009)Qualitative Case Study Methodology: Study Design and Implementation for Novice Researchers (2015)The Effect of File Sharing on Record Sales: An Empirical Analysis (2007)The Geography of Crowdfunding (2011)Crowdfunding: Geography, Social Networks, and the Timing of Investment Decisions (2015)A Critical View of Driver Behavior Models: What Do We Know, What Should We Do? (1985)Implicit learning and tacit knowledge. (1989)Crossmodal correspondences: A tutorial review (2011)Discourse, justification and critique: towards a legitimate digital copyright regime? (2014)The true impact of shorter and longer copyright durations: from authors’ earnings to cultural creativity and diversity (2020)Creative exploitation: intellectual property as a form of neoliberal cultural policy (2021)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Youth and Cultural Practice (2002)Framing and Reviewing Hip-Hop Educational Research (2009)The Reorganization of the Sensory World (2010)Sounding Race in Rap Songs (2015)
this work references cited by second hop

References

  • 1991Case Study Research: Design and Methods39,535 cited
  • 1969The Senses Considered as Perceptual Systems2,747 cited
  • 2005Capturing sound: how technology has changed music830 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America736 cited
  • 2005Making beats: the art of sample-based hip-hop604 cited
  • 1991All you need to know about the music business231 cited
  • 2012Creative License: The Law and Culture of Digital Sampling90 cited
  • 20042 The History and Philosophy of Copyright41 cited
  • 2009AUTHORSHIP OF POPULAR MUSIC IN UK COPYRIGHT LAW34 cited

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