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"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists
14 references·2 citing·33 second hop
"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2010)"A Young Girls Dream": Examining the Barr…Why Have There Been No Great Women Artists? (2021)Why Have There Been No Great …WOMEN AND THE ELECTRIC GUITAR (2013)WOMEN AND THE ELECTRIC GUITARPerforming Glam Rock: Gender and Theatricality in Popular Music (2006)Performing Glam Rock: Gender …Electric Ladyland: Women and Rock Culture (2006)Electric Ladyland: Women and …Girls rock!: fifty years of women making music (2004)Girls rock!: fifty years of w…‘A Little Too Ironic’: The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians (2003)‘A Little Too Ironic’: The Ap…Women and popular music: sexuality, identity and subjectivity (2001)Women and popular music: sexu…Listening In: Radio and the American Imagination, from Amos 'N' Andy and Edward R. Murrow to Wolfman Jack and Howard Stern (2000)Listening In: Radio and the A…Instruments of desire: the electric guitar and the shaping of musical experience (2000)Instruments of desire: the el…Frock Rock: Women Performing Popular Music (2000)Frock Rock: Women Performing …Making Technology Masculine : Men, Women, and Modern Machines in America, 1870-1945 (1999)Making Technology Masculine :…The Sex Revolts: Gender, Rebellion and Rock 'n' Roll (1996)The Sex Revolts: Gender, Rebe…‘Turn it down!’ she shrieked: gender, domestic space, and high fidelity, 1948–59 (1996)‘Turn it down!’ she shrieked:…She's a Rebel: The History of Women in Rock & Roll (1993)She's a Rebel: The History of…Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos (2017)Shredding, tapping and sweepi…Masculine Pleasure? (2016)Masculine Pleasure?Popular Music and Communication. (1988)Make Room for TV (1992)The "Freer Men" of Ham Radio: How a Technical Hobby Provided Social and Spatial Distance (2003)Golden Ears and Meter Readers (2004)Quiet Comfort: Noise, Otherness, and the Mobile Production of Personal Space (2011)Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)The sex revolts: gender, rebellion, and rock'n'roll (1995)"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2011)Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Zines, Half-Lives, and Afterlives: On the Temporalities of Social and Political Change (2011)Sounds of Power: An Overview of Musical Instruments and Gender (2008)The Expansion of Punk Rock: Riot Grrrl Challenges to Gender Power Relations in British Indie Music Subcultures (2012)Cultural industries in international business research: Progress and prospect (2020)Airing Authenticity: The BBC Jam Sessions from New York, 1938/39 (2012)Responding to the Talkies (2012)All platforms considered: Contemporary radio and transmedia engagement (2014)"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)The Production of Culture Perspective (2004)Analysing the breakthrough of rock ‘n’ roll (1930–1970) Multi-regime interaction and reconfiguration in the multi-level perspective (2006)Genre and Cognitive Development: Beyond Writing to Learn (2009)Worlds of Genre - Metaphors of Genre (2009)Against Meritocracy (2017)Doing gender in engineering workplace cultures. II. Gender in/authenticity and the in/visibility paradox (2009)‘Nuts and Bolts and People’ Gender Troubled Engineering Identities (2015)Parenting for a Digital Future (2020)Sluts and Riot Grrrls: Female Identity and Sexual Agency (2007)Social Networks and Music Worlds (2014)Results of a misspent youth: Joan Jett's performance of female masculinity (2002)‘Some guy designed this room I’m standing in': marking gender in press coverage of Ani DiFranco (2005)Claiming Space: Discourses on Gender, Popular Music, and Social Change (2011)Postfemininities in Popular Culture (2009)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)The Age of Youth in Argentina (2014)
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References

  • 1999Making Technology Masculine : Men, Women, and Modern Machines in America, 1870-1945398 cited
  • 1996‘Turn it down!’ she shrieked: gender, domestic space, and high fidelity, 1948–59329 cited
  • 2021Why Have There Been No Great Women Artists?319 cited
  • 2000Instruments of desire: the electric guitar and the shaping of musical experience292 cited
  • 2001Women and popular music: sexuality, identity and subjectivity278 cited
  • 2000Frock Rock: Women Performing Popular Music168 cited
  • 2000Listening In: Radio and the American Imagination, from Amos 'N' Andy and Edward R. Murrow to Wolfman Jack and Howard Stern123 cited
  • 1996The Sex Revolts: Gender, Rebellion and Rock 'n' Roll106 cited
  • 1993She's a Rebel: The History of Women in Rock & Roll89 cited
  • 2003‘A Little Too Ironic’: The Appropriation and Packaging of Riot Grrrl Politics by Mainstream Female Musicians83 cited
  • 2013WOMEN AND THE ELECTRIC GUITAR35 cited
  • 2004Girls rock!: fifty years of women making music35 cited
  • 2006Electric Ladyland: Women and Rock Culture33 cited
  • 2006Performing Glam Rock: Gender and Theatricality in Popular Music29 cited

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  • 2017Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos

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10 cited
  • 2016Masculine Pleasure?4 cited