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"Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project doi:10.5429/2079-3871(2010)v1i1.3en
10 references·1 citing·38 second hop
"Analysing Live Music in the UK" Findings One Year into a Three-Year Research Project doi:10.5429/2079-3871(2010)v1i1.3en (2010)"Analysing Live Music in the UK" Findings…The Presentation of Self in Everyday Life (2023)The Presentation of Self in E…On music as a creative industry (2009)On music as a creative indust…Decline, renewal and the city in popular music culture: beyond the Beatles (2008)Decline, renewal and the city…Alco‐pop? The Use of Popular Music in Glasgow Pubs (2008)Alco‐pop? The Use of Popular …Rethinking the music industry (2007)Rethinking the music industryLive Music Matters (2007)Live Music MattersRockonomics: The Economics of Popular Music (2005)Rockonomics: The Economics of…Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…The Hidden Musicians: Music-Making in an English Town. (1990)The Hidden Musicians: Music-M…The politics of pop festivals (1982)The politics of pop festivalsA mysterious music in the air (2014)A mysterious music in the airAll you need to know about the music business (1991)Superstardom in Popular Music: Empirical Evidence (1991)Piracy of Digital Products: A Critical Review of the Theoretical Literature (2006)Entertainment industry economics: a guide for financial analysis (2007)How Digitization Has Created a Golden Age of Music, Movies, Books, and Television (2017)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Music in Everyday Life (2000)Urban Nightscapes (2003)THE INFLUENCE OF AUDITORY CUES ON THE PERCEPTION OF, AND RESPONSES TO, FOOD AND DRINK (2010)Auditory contributions to flavour perception and feeding behaviour (2012)Extrinsic Auditory Contributions to Food Perception & Consumer Behaviour: an Interdisciplinary Review (2019)The Performing Arts: The Economic Dilemma (1973)Music talent, and performance: a conservatory cultural system (1988)The 360 deal and the ‘new’ music industry (2013)Cultural value and cultural policy: some evidence from the world of live music (2014)The social and cultural values of live music: Sustaining urban live music ecologies (2019)The Cambridge Companion to Pop and Rock (2001)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Why go to pop concerts? The motivations behind live music attendance (2016)What the digitalisation of music tells us about capitalism, culture and the power of the information technology sector (2017)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Reconsidering cultural entrepreneurship: hip hop music economy and social change in Senegal, francophone West Africa (2011)Researching live music: some thoughts on policy implications (2011)Aesthetic Embeddedness: Towards an Aesthetic Understanding of Cultural and Artistic Entrepreneurship (2023)Places around us: embodied lay geographies in leisure and tourism (2000)Backpacking experiences (2002)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Where is Creativity in the City? Integrating Qualitative and GIS Methods (2009)Unauthorising popular music heritage: outline of a critical framework (2013)The academisation of popular music in higher music education: the case of Norway (2016)Social Identity Theory and the Organization (1989)Emotional Intelligence (1990)Framing Processes and Social Movements: An Overview and Assessment (2000)The Spiritual and the Revolutionary: Alternative Spirituality, British Free Festivals, and the Emergence of Rave Culture (2006)Music festival sponsorship: between commerce and carnival (2011)Glastonbury: managing the mystification of festivity (2013)
this work references cited by second hop

References

  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 1990The Hidden Musicians: Music-Making in an English Town.387 cited
  • 2007Rethinking the music industry261 cited
  • 2005Rockonomics: The Economics of Popular Music201 cited
  • 2008Decline, renewal and the city in popular music culture: beyond the Beatles125 cited
  • 2007Live Music Matters75 cited
  • 2008Alco‐pop? The Use of Popular Music in Glasgow Pubs41 cited
  • 1982The politics of pop festivals35 cited
  • 2009On music as a creative industry26 cited

Cited by

  • 2014A mysterious music in the air4 cited

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