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Compliance and Resistance in Iranian Cinema’s Censorship Landscape: A New Approach to Analyzing Iranian Films
16 references·0 citing·29 second hop
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References

  • 2007Women and Politics in Iran201 cited
  • 2002Close up: Iranian cinema, past, present and future175 cited
  • 2003The New Iranian cinema: politics, representation and identity160 cited
  • 1990The Dame in the Kimono: Hollywood, Censorship, and the Production Code139 cited
  • 2001Cinema and Soviet Society from the Revolution to the Death of Stalin113 cited
  • 2007Iranian Cinema: A Political History72 cited
  • 2011Liberation or suppression technologies? The internet, the green movement and the regime in Iran64 cited
  • 2008Displaced Allegories47 cited
  • 2006Iranian Cinema: A Political History41 cited
  • 2006Iranian Cinema And the Islamic Revolution33 cited
  • 2009The Politics of Iranian Cinema29 cited
  • 2008The Cinema of Feng Xiaogang27 cited
  • 2012A Social History of Iranian Cinema, Volume 4: The Globalizing Era, 1984–201026 cited
  • 2013Prohibition, Politics, and Nation-Building: A History of Film Censorship in China18 cited
  • 2019Allegory in Iranian Cinema14 cited
  • 2012A Social History of Iranian Cinema, Volume 3: The Islamicate Period, 1978–1984

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