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The (R)evolution of Music Video in American Music Industry
16 references·0 citing·27 second hop
The (R)evolution of Music Video in American Music Industry (2023)The (R)evolution of Music Video in Americ…Anderson .Paak, Kendrick Lamar, and Colin Tilley “Get up in Our Rearview Mirror”: Collectively Analyzing the “Tints” Music Video (2021)Anderson .Paak, Kendrick Lama…MUSIC/VIDEO: HISTORIES, AESTHETICS, MEDIA (2019)MUSIC/VIDEO: HISTORIES, AESTH…On defining sf, or not: Genre theory, sf, and history (2017)On defining sf, or not: Genre…Music Video After MTV: Audiovisual Studies, New Media, and Popular Music (2017)Music Video After MTV: Audiov…Unruly media: YouTube, music video, and the new digital cinema (2014)Unruly media: YouTube, music …The Oxford Handbook of Sound and Image in Digital Media (2013)The Oxford Handbook of Sound …Music Video and the Politics of Representation (2011)Music Video and the Politics …There is no such Thing as Science Fiction (2008)There is no such Thing as Sci…Medium cool: music videos from soundies to cellphones (2008)Medium cool: music videos fro…The way Hollywood tells it: story and style in modern movies (2006)The way Hollywood tells it: s…Money for Nothing: A History of the Music Video from the Beatles to the White Stripes (2006)Money for Nothing: A History …Experiencing music video: aesthetics and cultural context (2004)Experiencing music video: aes…Intensified Continuity Visual Style in Contemporary American Film (2002)Intensified Continuity Visual…The kindest cut: functions and meanings of music video editing (2001)The kindest cut: functions an…Videography: video media as art and culture (1994)Videography: video media as a…Dancing in the distraction factory: music television and popular culture (1993)Dancing in the distraction fa…Framing, Following, Middling: Towards Methodologies of Relational Materialities (2015)Errant Pixels: The Sight Specificity of Satellite Technologies (2017)‘Romantic Piano’ and ‘Sleazy Saxophone’ (2020)Club cultures: music, media and subcultural capital (1996)Arts and aesthetics: Marketing and cultural production (2006)Creativity and Innovation in the Music Industry (2006)The Attentional Theory of Cinematic Continuity (2012)Exhibiting Cinema in Contemporary Art (2013)Narrative theory and the dynamics of popular movies (2016)Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales (2010)Approaching media industries comparatively: A case study of streaming (2018)Detecting mental fatigue from eye-tracking data gathered while watching video: Evaluation in younger and older adults (2018)Toward a science of science fiction (2014)Fiction, genre exposure, and moral reality. (2017)Genretheorien des Films (2021)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)“Check On It” (2011)Race and the Yugoslav region (2018)Is music becoming more visual? Online video content in the music industry (2011)The Emancipation of Music Video (2013)The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration (2019)The Aesthetics of Global Protest (2020)Female Subjectivities in the Words, Music, and Images of Progressive Metal (2023)Interview with Music Video Director and Auteur Floria Sigismondi (2013)Music Video Transformed (2013)Janelle Monáe'sDirty ComputerMusic Video/Film: A Collective Reading (2019)Subscribing to Sex Edutainment (2016)
this work references cited by second hop

References

  • 1993Dancing in the distraction factory: music television and popular culture425 cited
  • 2006The way Hollywood tells it: story and style in modern movies393 cited
  • 2002Intensified Continuity Visual Style in Contemporary American Film362 cited
  • 2004Experiencing music video: aesthetics and cultural context281 cited
  • 2014Unruly media: YouTube, music video, and the new digital cinema177 cited
  • 2013The Oxford Handbook of Sound and Image in Digital Media140 cited
  • 2011Music Video and the Politics of Representation62 cited
  • 2017On defining sf, or not: Genre theory, sf, and history58 cited
  • 2008Medium cool: music videos from soundies to cellphones57 cited
  • 2006Money for Nothing: A History of the Music Video from the Beatles to the White Stripes50 cited
  • 2017Music Video After MTV: Audiovisual Studies, New Media, and Popular Music33 cited
  • 2021Anderson .Paak, Kendrick Lamar, and Colin Tilley “Get up in Our Rearview Mirror”: Collectively Analyzing the “Tints” Music Video28 cited
  • 2008There is no such Thing as Science Fiction28 cited
  • 1994Videography: video media as art and culture24 cited
  • 2001The kindest cut: functions and meanings of music video editing

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20 cited
  • 2019MUSIC/VIDEO: HISTORIES, AESTHETICS, MEDIA12 cited
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