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Laying Waste to History: Recyclia and Urban Art Traditions in Mozambique
12 references·0 citing·37 second hop
Laying Waste to History: Recyclia and Urban Art Traditions in Mozambique (2023)Laying Waste to History: Recyclia and Urb…The Practice in Everyday Life (2020)The Practice in Everyday LifeSpeculating on (the) urban (of) art: (un)siting street art in the age of neoliberal urbanisation (2019)Speculating on (the) urban (o…Of Materiality and Meaning: The Illegality Condition in Street Art (2016)Of Materiality and Meaning: T…Street Art and related terms (2015)Street Art and related termsIntroduction: the interdisciplinary world of hip-hop studies (2015)Introduction: the interdiscip…In step with the times: mapiko masquerades of Mozambique (2015)In step with the times: mapik…Less Than Nothing: Hegel and the Shadow of Dialectical Materialism (2013)Less Than Nothing: Hegel and …Playing to the Gallery: Masks, Masquerade, and Museums (2008)Playing to the Gallery: Masks…An Anthology of African art: the twentieth century (2003)An Anthology of African art: …Recycled, Re-Seen: Folk Art from the Global Scrap Heap (1996)Recycled, Re-Seen: Folk Art f…The Distinction between Art and Craft (1994)The Distinction between Art a…African Art and Authenticity: A Text with a Shadow (1992)African Art and Authenticity:…The Transfiguration of the Commonplace, a Philosophy of Art (1981)Inessential woman: problems of exclusion in feminist thought (1989)Beyond craft and art: A pedagogical model for craft as self-expression (2011)Afrofuturism: Reimagining Art Curricula for Black Existence (2020)Transforming Heritage Crafts to Engaging Digital Experiences (2020)Moving the centre: the struggle for cultural freedoms (1993)Compromising beauties: affective movement and gendered (im)mobilities in women's competitivetufodancing in Northern Mozambique (2020)‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) (2023)Being a Musician in Socialist Mozambique: From Invisibility to Unfeasibility (1974–1994) (2023)Handbook of Theory and Research for the Sociology of Education. (1987)One Place after Another (2002)The Forms of Capital (2002)How Statues Speak (2022)What Is Street Art? (2022)PROBLEMS OF EXPOSITIONS AND PROTECTION OF BANKSY’S MURALS IN UKRAINE (2023)Subculture: The Meaning of Style. (1981)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life (2003)An emerging art world: The de-subculturalization and artification process of graffiti and pixação in São Paulo (2021)Parkour, Graffiti, and the Politics of (In)Visibility in Aestheticized Cityscapes (2023)Systematic Review of the Role of Arts Places in Fostering Urban Sustainability and Resilience (2025)Marxism in the Anthropocene: Dialectical Rifts on the Left (2016)(Dis)entangling Barad: Materialisms and ethics (2017)Archive Feelings: A Theory of Greek Tragedy (2020)"Primitive Fakes," "Tourist Art," and the Ideology of Authenticity (1994)Tourism dance performances authenticity and creativity (1996)The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition (2003)Bodies of Metal, Shells of Memory (2000)FROM DESPICABLE TO COLLECTIBLE: The Evolution of Collective Memories for and the Value of Black Advertising Memorabilia (2004)Exotic Identities: Dance, Difference, and Self-fashioning (2011)Rethinking ethnography: Towards a critical cultural politics (1991)Inventing Social Categories Through Place: Social Representations and Development in Nepal (1992)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)Knitting Feminist Politics: Exploring a Yarn-Bombing Performance in a Postdisaster City (2018)Public Strategies for the Promotion of Urban Art: The Lisbon Metropolitan Area Case (2021)Urban art in Lisbon: opportunities, tensions and paradoxes (2021)Locating Senghor's École de Dakar: International and Transnational Dimensions to Senegalese Modern Art, c. 1959–1980 (2018)
this work references cited by second hop

References

  • 2020The Practice in Everyday Life3,059 cited
  • 2013Less Than Nothing: Hegel and the Shadow of Dialectical Materialism634 cited
  • 1992African Art and Authenticity: A Text with a Shadow213 cited
  • 1994The Distinction between Art and Craft54 cited
  • 2015In step with the times: mapiko masquerades of Mozambique48 cited
  • 2015Street Art and related terms42 cited
  • 2003An Anthology of African art: the twentieth century32 cited
  • 1996Recycled, Re-Seen: Folk Art from the Global Scrap Heap30 cited
  • 2016Of Materiality and Meaning: The Illegality Condition in Street Art25 cited
  • 2019Speculating on (the) urban (of) art: (un)siting street art in the age of neoliberal urbanisation16 cited
  • 2015Introduction: the interdisciplinary world of hip-hop studies13 cited
  • 2008Playing to the Gallery: Masks, Masquerade, and Museums9 cited

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