SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Continuous Transformations
10 references·16 citing·27 second hop
Continuous Transformations (2004)Continuous TransformationsGeneralized Musical Intervals and Transformations (2007)Generalized Musical Intervals…Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Uniformity, Balance, and Smoo…Voice-Leading Parsimony in the Music of Alexander Scriabin (1998)Voice-Leading Parsimony in th…Some Ideas about Voice-Leading between PCSets (1998)Some Ideas about Voice-Leadin…Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords (1998)Moving beyond Neo-Riemannian …The Music of Conlon Nancarrow (1995)The Music of Conlon NancarrowTranspositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music (1992)Transpositional Combination o…Maximally Even Sets (1991)Maximally Even SetsGeneralized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Timbre and harmony: Interpolations of timbral structures (1987)Timbre and harmony: Interpola…Generalizing the Orbifold Model for Voice Leading (2022)Generalizing the Orbifold Mod…Generic (Mod-7) Voice-Leading Spaces (2019)Generic (Mod-7) Voice-Leading…Fourier Phase and Pitch-Class Sum (2019)Fourier Phase and Pitch-Class…Alfred Schnittke’s Triadic Practice (2017)Alfred Schnittke’s Triadic Pr…Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading (2015)Using Fundamental Groups and …Review of Dmitri Tymoczko,A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice(Oxford University Press, 2011) (2011)Review of Dmitri Tymoczko,A G…Three Conceptions of Musical Distance (2009)Three Conceptions of Musical …Metric Cubes in Some Music of Brahms (2009)Metric Cubes in Some Music of…Generalizing Musical Intervals (2009)Generalizing Musical IntervalsG érard G risey and the ‘N ature ’ of H armony (2009)G érard G risey and the ‘N at…B rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic (2009)B rahms ' s M otivic H armoni…Set-Class Similarity, Voice Leading, and the Fourier Transform (2008)Set-Class Similarity, Voice L…S cale T heory , S erial T heory and V oice L eading (2008)S cale T heory , S erial T he…On Pitch-Class Set Cartography (2008)On Pitch-Class Set CartographyContinuous Harmonic Spaces (2007)Continuous Harmonic SpacesVoice Leadings as Generalized Key Signatures (2005)Voice Leadings as Generalized…Perspectives of New Music (1963)The Structure of Atonal Music (1973)The Major Tritone Progression in Recent Hollywood Science Fiction Films (2006)Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Scale Networks and Debussy (2004)Cross-Type Transformations and the Path Consistency Condition (2007)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Music theory and mathematics (2002)Voice Leading in Set-Class Space (2005)Defining timbre — Refining timbre (1994)Spectral Music and the Appeal to Nature (2018)Timbre as Harmony—Harmony as Timbre (2019)Art music from 1800 to 1860 (1998)Popular song and popular music on stage and film (1998)The Cambridge Companion to Rhythm (2020)Beat-Class Modulation in Steve Reich's Music (2003)(Ac)cumulative Form in Pop-Rock Music (2004)Banjo Transformations and Bluegrass Rhythm (2009)Chromatic Transformations in Nineteenth-Century Music (2002)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)Tonality and transformation (2012)
this work references cited by second hop

References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1991Maximally Even Sets203 cited
  • 2007Generalized Musical Intervals and Transformations159 cited
  • 1992Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music146 cited
  • 2003Uniformity, Balance, and Smoothness in Atonal Voice Leading131 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1987Timbre and harmony: Interpolations of timbral structures106 cited
  • 1995The Music of Conlon Nancarrow106 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin91 cited
  • 1998Some Ideas about Voice-Leading between PCSets60 cited

Cited by

  • 2007Continuous Harmonic Spaces51 cited
  • 2008S cale T heory , S erial T heory and V oice L eading40 cited
  • 2019Fourier Phase and Pitch-Class Sum33 cited
  • 2009Three Conceptions of Musical Distance29 cited
  • 2009Metric Cubes in Some Music of Brahms28 cited
  • 2009Generalizing Musical Intervals

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

27 cited
  • 2008Set-Class Similarity, Voice Leading, and the Fourier Transform26 cited
  • 2005Voice Leadings as Generalized Key Signatures17 cited
  • 2009G érard G risey and the ‘N ature ’ of H armony12 cited
  • 2008On Pitch-Class Set Cartography10 cited
  • 2009B rahms ' s M otivic H armonies and C ontemporary T onal T heory : T hree C ase S tudies from the C hamber M usic7 cited
  • 2019Generic (Mod-7) Voice-Leading Spaces6 cited
  • 2017Alfred Schnittke’s Triadic Practice6 cited
  • 2022Generalizing the Orbifold Model for Voice Leading6 cited
  • 2015Using Fundamental Groups and Groupoids of Chord Spaces to Model Voice Leading6 cited
  • 2011Review of Dmitri Tymoczko,A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice(Oxford University Press, 2011)4 cited