References

• 1974The Composer's Voice387 cited
• 1994Feminist Theory, Music Theory, and the Mind/Body Problem324 cited
• 1969Musical Form and Musical Performance314 cited
• 1973Explaining Music308 cited
• 1999Bodily Hearing: Physiological Metaphors and Musical Understanding133 cited
• 1985On the Relation of Analysis to Performance: Beethoven's "Bagatelles" Op. 126, Nos. 2 and 5124 cited
• 1995Expression in performance: generativity, perception and semiosis117 cited
• 1995Performance and analysis: interaction and interpretation107 cited
• 1997Glenn Gould92 cited
• 1990Musical Structure and Performance61 cited
• 2002“One Says That One Weeps, but One Does Not Weep”: Sensible, Grotesque, and Mechanical Embodiments in Boccherini's Chamber Music60 cited
• 1999Bach's Works for Solo Violin38 cited
• 2005Interpretation and performance in Bryn Harrison's être-temps36 cited
• 1979Aspects of Musical Explanation27 cited
• 2000Performing Ravel: style and practice in the early recordings24 cited
• 2005Virtuosity in Babbitt’s Lonely Flute