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Correlation of Visible Reflectance Spectrometry and Portable Raman Data for Red Pigment Identification
16 references·0 citing·37 second hop
Correlation of Visible Reflectance Spectrometry and Portable Raman Data for Red Pigment Identification (2024)Correlation of Visible Reflectance Spectr…Effect of particle size on pigments colour (2016)Effect of particle size on pi…Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Use of imaging spectroscopy, …The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)The role of mobile instrument…Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Characterisation of a portabl…The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The on‐site/remote Raman anal…Bright Light: Microspectrofluorimetry for the Characterization of Lake Pigments and Dyes in Works of Art (2010)Bright Light: Microspectroflu…A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)A non-invasive XRF study supp…Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy (2007)Non-Invasive Identification o…Comparative study of mobile Raman instrumentation for art analysis (2007)Comparative study of mobile R…The colour of ochres explained by their composition (2005)The colour of ochres explaine…Analysis of bulk and inorganic degradation products of stones, mortars and wall paintings by portable Raman microprobe spectroscopy (2004)Analysis of bulk and inorgani…A new instrument adapted to in situ Raman analysis of objects of art (2004)A new instrument adapted to i…Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis (2003)Non-invasive spectroscopic me…The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations (2001)The analysis of polychrome wo…Analysis of art objects using a portable x-ray fluorescence spectrometer (2000)Analysis of art objects using…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Modern analytical methods in art and archaeology (2000)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Analytical chemistry in the field of cultural heritage (2015)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)The pigments from Pinnacle Point Cave 13B, Western Cape, South Africa (2010)Identification of pigments on Byzantine wall paintings from Crete (14th century AD) using non-invasive Fiber Optics Diffuse Reflectance Spectroscopy (FORS) (2013)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Mobile Spectroscopic Instrumentation in Archaeometry Research (2016)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ (2010)Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy (2013)Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)UV-Vis spectroscopy (2018)Cross-Sections and Chemical Analysis of Paint Samples (1956)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Infrared Spectroscopy in Conservation Science (2000)Lead soaps in paintings: Friends or foes? 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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2005The colour of ochres explained by their composition195 cited
  • 2014The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics190 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2014Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts157 cited
  • 2007Comparative study of mobile Raman instrumentation for art analysis148 cited
  • 2013Characterisation of a portable Raman spectrometer for in situ analysis of art objects125 cited
  • 2001The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations117 cited
  • 2016Effect of particle size on pigments colour116 cited
  • 2000Analysis of art objects using a portable x-ray fluorescence spectrometer112 cited
  • 2008A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials95 cited
  • 2004A new instrument adapted to in situ Raman analysis of objects of art95 cited
  • 2004Analysis of bulk and inorganic degradation products of stones, mortars and wall paintings by portable Raman microprobe spectroscopy

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94 cited
  • 2010Bright Light: Microspectrofluorimetry for the Characterization of Lake Pigments and Dyes in Works of Art87 cited
  • 2003Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: identification of pigments and colourimetric analysis84 cited
  • 2007Non-Invasive Identification of White Pigments on 20Th-Century Oil Paintings by Using Fiber Optic Reflectance Spectroscopy78 cited
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