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Characterization and identification of an archaeological “lacquer” pipe
16 references·2 citing·34 second hop
Characterization and identification of an archaeological “lacquer” pipe (2024)Characterization and identification of an…Comprehensive Multi-Analytical Investigations on the Vietnamese lacquered Wall-Panel “The Return of the Hunters” by Jean Dunand (2019)Comprehensive Multi-Analytica…Comparative study of the materials and lacquering techniques of the lacquer objects from Warring States Period China (2019)Comparative study of the mate…Natural lacquer was used as a coating and an adhesive 8000 years ago, by early humans at Kuahuqiao, determined by ELISA (2018)Natural lacquer was used as a…Study of historical Chinese lacquer culture and technology – Analysis of Chinese Qin-Han dynasty lacquerware (2016)Study of historical Chinese l…Multi-analytical approach (SEM-EDS, FTIR, Py-GC/MS) to characterize the lacquer objects from Xiongnu burial complex (Noin-Ula, Mongolia) (2016)Multi-analytical approach (SE…Composition/structure and lacquering craft analysis of Wenzhou Song dynasty lacquerware (2016)Composition/structure and lac…Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy for the in…Characterisation and discrimination of various types of lac resin using gas chromatography mass spectrometry techniques with quaternary ammonium reagents (2014)Characterisation and discrimi…Molecular changes during natural biopolymer ageing – The case of shellac (2012)Molecular changes during natu…Spectroscopy study of mural paintings from the Pyrenean Church of Saint Eulàlia of Unha (2010)Spectroscopy study of mural p…SCIENTIFIC INVESTIGATIONS OF ANTIQUE LACQUERS FROM A 17TH‐CENTURY JAPANESE ORNAMENTAL CABINET (2010)SCIENTIFIC INVESTIGATIONS OF …Raman spectroscopic analysis of selected astronomical and cartographic folios from the early 13th century Islamic ‘Book of Curiosities of the Sciences and Marvels for the Eyes’ (2006)Raman spectroscopic analysis …Molecular Pattern Recognition of Fresh and Aged Shellac (2003)Molecular Pattern 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National Gallery, London (2008)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Was Lacquer the Key Ingredient for Luxurious Jinyin Pingtuo Products in the Tang Dynasty of China (AD 618–907)? (2020)Critical Analysis of the Materials Used by the Venetian Artist Guido Cadorin (1892–1976) during the Mid-20th Century, Using a Multi-Analytical Approach (2023)Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products (2011)Portable diffuse reflectance infrared Fourier transform (DRIFT) technique for the non-invasive identification of canvas ground: IR spectra reference collection (2015)Response Surface Methodology - Research Advances and Applications (2022)Characterisation of beeswax in works of art by gas chromatography–mass spectrometry and pyrolysis–gas chromatography–mass spectrometry procedures (2004)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Molecular criteria for discriminating museum Asian lacquerware from different vegetal origins by pyrolysis gas chromatography/mass spectrometry (2011)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)X-ray fluorescence spectrometry in art and archaeology (2000)Identification of Proteins in Renaissance Paintings by Proteomics (2006)
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References

  • 2015Raman spectroscopy for the investigation of carbon‐based black pigments258 cited
  • 1983The Artist's Handbook of Materials and Techniques105 cited
  • 2003Molecular Pattern Recognition of Fresh and Aged Shellac79 cited
  • 1996Characterization of Rhus vernicifera and Rhus succedanea lacquer films and their pyrolysis mechanisms studied using two-stage pyrolysis-gas chromatography/mass spectrometry79 cited
  • 2018Natural lacquer was used as a coating and an adhesive 8000 years ago, by early humans at Kuahuqiao, determined by ELISA65 cited
  • 2019Comprehensive Multi-Analytical Investigations on the Vietnamese lacquered Wall-Panel “The Return of the Hunters” by Jean Dunand63 cited
  • 2006Raman spectroscopic analysis of selected astronomical and cartographic folios from the early 13th century Islamic ‘Book of Curiosities of the Sciences and Marvels for the Eyes’60 cited
  • 2012Molecular changes during natural biopolymer ageing – The case of shellac58 cited
  • 1949The materials of the artist and their use in painting, with notes on the techniques of the old masters57 cited
  • 2016Study of historical Chinese lacquer culture and technology – Analysis of Chinese Qin-Han dynasty lacquerware53 cited
  • 2019Comparative study of the materials and lacquering techniques of the lacquer objects from Warring States Period China49 cited
  • 2014Characterisation and discrimination of various types of lac resin using gas chromatography mass spectrometry techniques with quaternary ammonium reagents43 cited

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2010
Spectroscopy study of mural paintings from the Pyrenean Church of Saint Eulàlia of Unha
35 cited
  • 2010SCIENTIFIC INVESTIGATIONS OF ANTIQUE LACQUERS FROM A 17TH‐CENTURY JAPANESE ORNAMENTAL CABINET33 cited
  • 2016Composition/structure and lacquering craft analysis of Wenzhou Song dynasty lacquerware33 cited
  • 2016Multi-analytical approach (SEM-EDS, FTIR, Py-GC/MS) to characterize the lacquer objects from Xiongnu burial complex (Noin-Ula, Mongolia)33 cited
  • Cited by

    • 2025A study on the manufacturing process of a coiled wood core lacquerware unearthed in Xuzhou6 cited
    • 2024The Lacquer Craft of the Corridor Coffin (徼道棺) from Tomb No. 2 of Tushan in Eastern Han Dynasty, Xuzhou6 cited