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Discovery of pararealgar and semi-amorphous pararealgar in Rembrandt's The Night Watch: analytical study and historical contextualization
16 references·0 citing·35 second hop
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References

  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 2015Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus184 cited
  • 2005The Dutch Republic in the Seventeenth Century149 cited
  • 1996Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy127 cited
  • 2001Raman Spectroscopic Analysis of Ancient Egyptian Pigments121 cited
  • 2008Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts97 cited
  • 2015Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses94 cited
  • 2000Comparative pigment analysis of six modern Egyptian papyri and an authentic one of the 13th century BC by Raman microscopy and other techniques87 cited
  • 2016Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues83 cited
  • 2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
  • 2022The “Historical Materials BAG”: A New Facilitated Access to Synchrotron X-ray Diffraction Analyses for Cultural Heritage Materials at the European Synchrotron Radiation Facility64 cited
  • 2016Visualization of As( iii ) and As( v ) distributions in degraded paint micro-samples from Baroque- and Rococo-era paintings64 cited

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  • 2021Pigments—Arsenic-based yellows and reds55 cited
  • 2017Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments51 cited
  • 1997Identification of lead(ii) sulfide and pararealgar on a 13th century manuscript by Raman microscopy47 cited
  • 2019Transmission and Reflection Mode Macroscopic X-ray Powder Diffraction Imaging for the Noninvasive Visualization of Paint Degradation in Still Life Paintings by Jan Davidsz. de Heem43 cited
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