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Provenance and theatre archives
11 references·0 citing·37 second hop
Provenance and theatre archives (2024)Provenance and theatre archivesGreen Ribbon and Blue Ribbon Stories: Applying a Bidjara Way of Knowing to Understanding Records (2023)Green Ribbon and Blue Ribbon …Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance) (2023)Digital Performance and Its D…Covid-19: theatre goes digital – provocations (2022)Covid-19: theatre goes digita…Evidence of Artistic Process in Performing Arts Records (2013)Evidence of Artistic Process …Redefining the performing arts archive (2009)Redefining the performing art…Performing Arts Archives: Dynamic Entities Complementing and Supporting Scholarship and Creativity (2008)Performing Arts Archives: Dyn…The concept of societal provenance and records of nineteenth-century Aboriginal–European relations in Western Canada: implications for archival theory and practice (2007)The concept of societal prove…Digital Performance (2007)Digital PerformanceThe Archive and the Repertoire (2003)The Archive and the RepertoireTheatre Audiences: A Theory of Production and Reception (1992)Theatre Audiences: A Theory o…Theoretical Principles and Practical Problems of Respect des fonds in Archival Science (1983)Theoretical Principles and Pr…Unmarked: The Politics of Performance (1994)Archive Fever: A Freudian Impression (1995)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Access to digitized performance documentation and the AusStage database (2010)Impact and OperaScotland, the listings and archive website (2017)Creating a representative archive of performance practice at the National Theatre of Great Britain (2024)Liveness: performance in a mediatized culture (2008)Preserving the Electroacoustic Music Legacy: A Case Study of the Sal-Mar Construction at the University of Illinois (2011)Archival Appraisal and the Digital Record: Applying Past Tradition for Future Practice (2015)Shall I compare thee…to a robot? An exploratory pilot study using participatory arts and social robotics to improve psychological well-being in later life (2019)Canada's First Nations: A History of Founding Peoples from Earliest Times (1994)Terrific Majesty (1998)How to write the history of the New World: histories, epistemologies, and identities in the eighteenth-century Atlantic world (2002)Mobilizing records: re-framing archival description to support human rights (2014)A call to rethink archival creation: exploring types of creation in personal archives (2018)Paradoxes of curating colonial memory (2020)Life on the Screen: Identity in the Age of the Internet (1997)‘It’s not just about technology!': Creativity as a driving force for nurturing the development of skills for digital performance (2023)Editorial: Presence and Precarity in (Post-) Pandemic Theatre and Performance (2023)The Rules of Art: Genesis and Structure of the Literary Field (1997)The Transformative Power of Performance: A New Aesthetics (2008)Algorithms of oppression: how search engines reinforce racism (2019)Yarning About Yarning as a Legitimate Method in Indigenous Research (2010)Decolonizing methodologies: research and indigenous peoples (2013)The CARE Principles for Indigenous Data Governance (2020)Strategies for Managing Electronic Records: A New Archival Paradigm? An Affirmation of Our Archival Traditions? (1998)Picking Our Text: Archival Description, Authenticity, and the Archivist as Editor (2005)Provenance as a Domain Analysis Approach in Archival Knowledge Organization (2015)Movement Training for the Modern Actor (2009)Musical Styles and Song Conventions (2012)Tragic Form in Kamila Shamsie’s Home Fire (2021)9. The Generation Of Postmemory (2008)Archival encounters: rethinking access and care in digital colonial archives (2019)Populism as a Transgressive Style (2022)Choreographic Objects (2013)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)Shakespeare, Spectatorship and the Technologies of Performance (2020)
this work references cited by second hop

References

  • 2007Digital Performance501 cited
  • 2003The Archive and the Repertoire308 cited
  • 1992Theatre Audiences: A Theory of Production and Reception124 cited
  • 2007The concept of societal provenance and records of nineteenth-century Aboriginal–European relations in Western Canada: implications for archival theory and practice81 cited
  • 1983Theoretical Principles and Practical Problems of Respect des fonds in Archival Science71 cited
  • 2009Redefining the performing arts archive29 cited
  • 2022Covid-19: theatre goes digital – provocations27 cited
  • 2023Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)18 cited
  • 2008Performing Arts Archives: Dynamic Entities Complementing and Supporting Scholarship and Creativity7 cited
  • 2023Green Ribbon and Blue Ribbon Stories: Applying a Bidjara Way of Knowing to Understanding Records5 cited
  • 2013Evidence of Artistic Process in Performing Arts Records3 cited

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