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Afterword: The Song Pact – How the Novel Sings
16 references·0 citing·41 second hop
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References

  • 2004Music—Drastic or Gnostic?550 cited
  • 2005Hauntology, spectres and phantoms365 cited
  • 1991Ekphrasis and Representation322 cited
  • 2011Music and the materialization of identities292 cited
  • 2010Deadness: Technologies of the Intermundane228 cited
  • 1990The eclogues ; The georgics ; The Aeneid151 cited
  • 2017From Microsound to Vaporwave: Internet-Mediated Musics, Online Methods, and Genre93 cited
  • 201524. Literature and Music: Theory62 cited
  • 2007A Broader View of Musical Exoticism61 cited
  • 1974Manuscripts belonging to Richard de Fournival58 cited
  • 2001A Concert of Paintings: “Musical Ekphrasis” in the Twentieth Century48 cited
  • 1992Louis Armstrong and Opera45 cited
  • 2013What is ‘Comparative’ Literature?41 cited
  • 2013“A Woman Is a Conjunction”: The Ends of Improvisation in Claude McKay’s Banjo: A Story without a Plot39 cited
  • 2009STEPHEN DEDALUS’S ANTI-SEMITIC BALLAD: A SABOTAGED CLIMAX IN JOYCE’S ULYSSES37 cited
  • 2017Intertextual and intersonic resonance in Richard de Fournival’s Bestiaire d’amour : combining perspectives from literary studies and musicology

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