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‘At the table I sit, making it legit’: Legitimate knowledge, and the legitimacy of knowledge in a hip hop classroom in India
7 references·0 citing·36 second hop
‘At the table I sit, making it legit’: Legitimate knowledge, and the legitimacy of knowledge in a hip hop classroom in India (2024)‘At the table I sit, making it legit’: Le…Hip Hop and the University (2020)Hip Hop and the UniversityIntroduction (2018)IntroductionTranscultural voices : narrating hip hop culture in complex Delhi (2016)Transcultural voices : narrat…The global hip-hop Diaspora: Understanding the culture (2007)The global hip-hop Diaspora: …“It Is Love” (2005)“It Is Love”Beat Streets in the Global Hood: Connective Marginalities of the Hip Hop Globe (2001)Beat Streets in the Global Ho…Henna and Hip Hop: The Politics of Cultural Production and the Work of Cultural Studies (2000)Henna and Hip Hop: The Politi…The Social psychology of intergroup relations (1979)Social Psychology of Intergroup Relations (1982)An Integrative Theory of Intergroup Conflict (2000)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)What Is Hip-Hop-Based Education Doing in Nice Fields Such as Early Childhood and Elementary Education? (2014)Broadcasting Badness: Violence, Identity, and Performance in the Online Gang Rap Scene (2017)Reading the romance (2002)The tourist gaze (2002)Fan Cultures (2003)Fans in theoretischer Perspektive (2010)Fans und alltägliche Lebensführung (2010)Fans und Emotionen (2017)The Condition of Postmodernity (1991)Racial Formation in the United States: From the 1960s to the 1990s (1994)Learning to Labor: How Working Class Kids Get Working Class Jobs. (1996)Belly Dancing: Arab-Face, Orientalist Feminism, and U.S. Empire (2008)Aesthetic of the Entrepreneur: Afro-Cosmopolitan Rap and Moral Circulation in Accra, Ghana (2009)To Tell the Truth and Not Get Trapped: Desire, Distance, and Intersectionality at the Scene of Argument (2013)Time Passages: Collective Memory and American Popular Culture. (1991)Representation: Cultural representations and signifying practices. (1997)Routes: Travel and Translation In the Late Twentieth Century (1998)Tsotsitaal, global culture and local style: identity and recontextualisation in twenty‐first century South African townships (2009)Banding together: how communities create genres in popular music (2012)‘First things first, I'm the realest’: Linguistic appropriation, white privilege, and the hip‐hop persona of Iggy Azalea (2015)Discipline and Punish: The Birth of the Prison. (1978)The Location of Culture (2012)Cultural interventions: Repositioning hip hop education in India (2016)Distinction: A Social Critique of the Judgement of Taste* (2018)Glocalisation of Nigerian contemporary hip hop music (2020)Voicing decolonial dialogues: Indigenous teachers’ translanguaging in the mainstream classroom (2025)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Prophets of the hood: politics and poetics in hip hop (2005)Global Englishes and Transcultural Flows (2006)Flipping the Academic Discourse: Reflections on Corporeal Knowledge and Gender Negotiations in Breaking (2023)Chitown Loves You (2019)Enter the cipher: Welcome to GHHS (2020)
this work references cited by second hop

References

  • 2000Henna and Hip Hop: The Politics of Cultural Production and the Work of Cultural Studies152 cited
  • 2001Beat Streets in the Global Hood: Connective Marginalities of the Hip Hop Globe108 cited
  • 2007The global hip-hop Diaspora: Understanding the culture76 cited
  • 2016Transcultural voices : narrating hip hop culture in complex Delhi47 cited
  • 2005“It Is Love”22 cited
  • 2018Introduction7 cited
  • 2020Hip Hop and the University5 cited

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