SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès
16 references·0 citing·31 second hop
Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)Kaleidoscopic Topics in the Music of Györ…Enacting Musical Time (2019)Enacting Musical TimeA Theory of Virtual Agency for Western Art Music (2018)A Theory of Virtual Agency fo…Tonality as Topic (2017)Tonality as TopicThe Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)The Musical Topic in the Twen…Foundations of Musical Grammar (2017)Foundations of Musical GrammarThe Semantics of Musical Topoi (2015)The Semantics of Musical TopoiTopical Figurae (2014)Topical FiguraeThe Troping of Topics in Mozart’s Instrumental Works (2014)The Troping of Topics in Moza…The Oxford Handbook of Topic Theory (2013)The Oxford Handbook of Topic …Formulating a Revised Taxonomy for Modes of Listening (2012)Formulating a Revised Taxonom…Signification of Parody and the Grotesque in György Ligeti'sLe Grand Macabre (2009)Signification of Parody and t…Elements of Sonata Theory (2006)Elements of Sonata TheoryON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION (2005)ON THE RELATION OF MUSICAL TO…Playing with Signs (1991)Playing with SignsTwo Problems in Textual Interpretation (1980)Two Problems in Textual Inter…Manifestoes of Surrealism (1969)Manifestoes of SurrealismPhenomenology of Perception (1982)Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Colour Association with Music Is Mediated by Emotion: Evidence from an Experiment Using a CIE Lab Interface and Interviews (2015)Seeing films through sound: Sound design, spatial audio, and accessibility for visually impaired audiences (2020)Coaching Skills (2021)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Outline of a Theory of Practice (1977)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work? (2021)Large‐Scale Structure, Performance and Brahms's Op. 119 No. 2 (2021)EVOLVEMENT OF SYNCRETIC MUSIC: THE AESTHETIC VALUES OF MALAYSIAN POPULAR AND TRADITIONAL MUSIC (2023)‘Clarity bordering on stupidity’: where’s the quality in systematic review? (2005)Windows into nothingness: Terror management, meaninglessness, and negative reactions to modern art. (2006)What is generative art? (2009)Sonata Form and the Problem of Second‐Theme Beginnings (2013)Leitmotivic Strategies in Nobuo Uematsu’s Final Fantasy Soundtracks (2023)On Figaro’s Alleged Minuet and Some Challenges and Opportunities of Topic Theory (2023)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Extraordinary Measures (2011)Action and Agency Revisited (2013)M eyer's Anvil: Revisiting the Schema Concept (2012)THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)The Beethoven Syndrome (2020)Translating musical meaning (2023)Music, Encounter, Togetherness (2024)The Volta: A Galant Gesture of Culmination (2020)Tonality (2023)A Cognitive Theory of Musical Meaning (2000)Theorizing Musical Meaning (2001)The Classical Cadence: Conceptions and Misconceptions (2004)
this work references cited by second hop

References

  • 1969Manifestoes of Surrealism646 cited
  • 2006Elements of Sonata Theory644 cited
  • 2013The Oxford Handbook of Topic Theory435 cited
  • 1991Playing with Signs386 cited
  • 2018A Theory of Virtual Agency for Western Art Music181 cited
  • 2017Foundations of Musical Grammar158 cited
  • 2012Formulating a Revised Taxonomy for Modes of Listening117 cited
  • 2014The Troping of Topics in Mozart’s Instrumental Works92 cited
  • 2005ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION73 cited
  • 2019Enacting Musical Time68 cited
  • 2017The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes57 cited
  • 2014Topical Figurae56 cited
  • 1980Two Problems in Textual Interpretation45 cited
  • 2015The Semantics of Musical Topoi39 cited
  • 2017Tonality as Topic37 cited
  • 2009Signification of Parody and the Grotesque in György Ligeti'sLe Grand Macabre32 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work