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Portrait of the Artist as a Non-Artist. Matryoshka Roles and the Heteronomization of the Italian Art Field
16 references·0 citing·36 second hop
Portrait of the Artist as a Non-Artist. Matryoshka Roles and the Heteronomization of the Italian Art Field (2024)Portrait of the Artist as a Non-Artist. M…The Oxford Handbook of Creative Industries (2015)The Oxford Handbook of Creati…Looking Back, Looking Forward: Arts-Based Careers and Creative Work (2013)Looking Back, Looking Forward…Think Tanks in America (2012)Think Tanks in AmericaCultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Cultural entrepreneurs, cultu…‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)‘A very complicated version o…For art's sake! Artistic and economic logics in creative production (2007)For art's sake! Artistic and …CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS (2002)CLUBS TO COMPANIES: NOTES ON …Art as a Social System (2000)Art as a Social SystemARTISTIC LABOR MARKETS AND CAREERS (1999)ARTISTIC LABOR MARKETS AND CA…The Rules of Art (1996)The Rules of ArtThe Field of Cultural Production: Essays on Art and Literature (1996)The Field of Cultural Product…The specificity of the scientific field and the social conditions of the progress of reason (1975)The specificity of the scient…Greedy Institutions: Patterns of Undivided Commitment. (1975)Greedy Institutions: Patterns…Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style (1973)Painting and Experience in Fi…Studies in Ethnomethodology. (1968)Studies in Ethnomethodology.A Theory of Role Strain (1960)A Theory of Role StrainThe Global City (1991)Non-places: Introduction to an anthropology of supermodernity (1996)In the Social Factory? (2008)Looking for work in creative industries policy (2009)Modernity and Self-Identity (2023)The social psychology of organizing (1969)The System of Professions (1988)The Human Condition (1998)The Production of Culture Perspective (2004)Lifestyle Meets Market: Bohemian Entrepreneurs in Creative Industries (2006)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)From translations to problematic networks: An introduction to co-word analysis (1983)Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Intrinsic and Extrinsic Motivations: Classic Definitions and New Directions (2000)Ways of constructing research questions: gap-spotting or problematization? (2010)Disciplining terror: how experts invented "terrorism." (2014)Text-mining the signals of climate change doubt (2015)Exploratory Research (2020)The fourth pillar of sustainability: culture’s essential role in public planning (2001)The Mediatization of Society (2008)The Constant Comparative Analysis Method Outside of Grounded Theory (2015)Toward a Theory of Role Accumulation (1974)Multiple Roles and Role Strain: Some Notes on Human Energy, Time and Commitment (1977)Recent Developments in Role Theory (1986)Silences and secrecy: The hidden agenda of cartography in early modern Europe (1988)Music Lovers (2001)Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (2015)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Bourdieu, the media and cultural production (2006)Reflective Democracy (2003)Work—life initiatives and organizational change: Overcoming mixed messages to move from the margin to the mainstream (2009)Ties That Last (2013)That's Interesting! (1971)Evaluative Criteria for Qualitative Research in Health Care: Controversies and Recommendations (2008)Accounting for Doing Gender (2009)
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References

  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 1968Studies in Ethnomethodology.2,543 cited
  • 1960A Theory of Role Strain2,444 cited
  • 1996The Rules of Art2,397 cited
  • 1975The specificity of the scientific field and the social conditions of the progress of reason1,479 cited
  • 1999ARTISTIC LABOR MARKETS AND CAREERS803 cited
  • 2002CLUBS TO COMPANIES: NOTES ON THE DECLINE OF POLITICAL CULTURE IN SPEEDED UP CREATIVE WORLDS640 cited
  • 1975Greedy Institutions: Patterns of Undivided Commitment.574 cited
  • 2012Think Tanks in America542 cited
  • 1973Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style430 cited
  • 2009‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries420 cited
  • 2000Art as a Social System378 cited
  • 2007For art's sake! Artistic and economic logics in creative production344 cited
  • 2012Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals297 cited
  • 2015The Oxford Handbook of Creative Industries274 cited

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  • 2013Looking Back, Looking Forward: Arts-Based Careers and Creative Work231 cited
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